PREORDER UPCOMING RELEASES
MCA Nashville s promising new artist Jordan Davis announces his debut album HOME STATE will be released March 23.
HOME STATE includes the singer/songwriter s infectious single Singles You Up in addition to the previously-released tracks Slow Dance In A Parking Lot and Take It From Me. Known for his unique songwriting talent, Jordan co-wrote every track on HOME STATE and teamed up producer Paul DiGiovanni for the entire 12-song collection.
"Making this record has been one of the most rewarding things I ve ever done," says Jordan. "I want to thank everyone who was involved in bringing this to life, especially to my producer Paul Digiovanni and the songwriters that helped me create these songs. I can t wait for y all to hear it."
Jordan Davis continues to draw critical acclaim with Rolling Stone commending Jordan for melding the songcraft of artists like John Prine and Jim Croce with the genre s pop progressiveness.
The Tennessean notes, in the vein of Sam Hunt, Davis pairs syncopated melodies and ultra-progressive production with smooth vocals and contemporary vernacular.
BOARDING HOUSE REACH is the new solo album from Jack White, and is a testament to the breadth of the artist's creative power and his bold artistic ambition. This new material finds Jack White expanding his musical palate with perhaps his most ambitious work thus far, a collection of songs that are simultaneously timeless and modern. Written and conceived while holed up in a spartan apartment with literally no outside world distractions, White exclusively used the same kind of gear he had when he was 15 years old (a quarter-inch four-track tape recorder, a simple mixer, and the most basic of instrumentation). The album explores a remarkable range of sonic terrain -- crunching rock 'n' roll, electro and hard funk, proto punk, hip hop, gospel blues, and even country -- all remapped and born anew to fit White's matchless vision and sense of restless experimentation.
The first track off the album, I Was A Fool has gained over a million streams and received press praise from The New York Times, Billboard, Entertainment Weekly, Pitchfork, MTV, NPR and more. The follow-up track, Crisis Fest is a call to millennial arms, melding pop shimmer and drive with the personal and political. 2017 we know/ Realitys one big sick show/ Every days a crisis fest, Cumming sings. Twentytwo is only one example of a gentler side of Sunflower Bean thats on display on the new album. While the trio remains a guitar band at its core, new and different textures shine on this new album. Sunflower Beans diverse sound has allowed them to tour alongside DIIV, Best Coast, Pixes and Wolf Alice. Their 2018 is filled with headline shows, festivals and a tour with Sleigh Bells. The New York times named them Spirited interpreters of rock n rolls eternal truths, the three early-20s New Yorkers who make up Sunflower Bean are equally adept at studio finesse (witness their recent single I Was a Fool) and raucous live noise.
3CD - Remastered audio on three CDs
HOW THE WEST WAS WON highlights the best performances from Led Zeppelin’s legendary concerts at the Los Angeles Forum and Long Beach Arena on June 25 and 27, 1972. Melded together and sequenced to replicate a single concert from beginning to end, the three-CD and four-LP collections capture the band at the height of its formidable powers. Standouts include a 25-plus minute version of “Dazed And Confused” and a 21-minute medley based around “Whole Lotta Love.” The performances also capture the band introducing songs from its then-unreleased album Houses Of The Holy, which would be released nine months later.
Golden Hour follows the massive success of Kacey’s critically-acclaimed albums Same Trailer Different Park, Pageant Material and A Very Kacey Christmas. Both Same Trailer Different Park and Pageant Material debuted at #1 on Billboard’s Top Country Albums chart, with Kacey becoming the first solo female in 5 years to top the chart with a rookie release and only the seventh to do so in Nielsen SoundScan’s 22-year history. Kacey has won 2 Grammy Awards for Best Country Album and Best Country Song (“Merry Go ‘Round”), 2 CMA Awards for “New Artist of the Year” and “Song of the Year” (“Follow Your Arrow”), and an ACM Award for Album of the Year.
New York native songwriter and composer Greta Kline has shared a bounty of her innermost thoughts and experiences from the past six years through the almost inconceivable number of songs she has released since 2011. Like many of her peers, Kline’s prolific creative output was initially born out of an era where bedroom recording and self-releasing became more possible than ever through the advent of the internet. But as she’s grown as a writer and performer, playing to larger audiences and devising more complex albums, Kline has shifted from an artist who’s made strides despite limitations, to an artist whose impact can be seen across modern independent music. Her newest record, Vessel, which will be out spring 2018 through Sub Pop Records, is the 52nd release from Kline and the third studio album by her indie pop outfit Frankie Cosmos. On it, Kline explores all of the changes that have come in her life as a result of the music she has shared with the world for the past half-decade, as well as the parts of her life that have remained irrevocable.
Sons of Kemet is the iconoclastic mix of tenor sax, tuba and double drums. On this third studio album, they bring a genre defying approach that celebrates the restless exploration of identity within the Caribbean diaspora within the U.K. Your Queen is a Reptile was recorded in London with a host of guests spanning the breadth of the U.K. scene including jungle legend Congo Natty and poet Joshua Idehen.
For her tenth album and first album on a major label in nearly fifty years, legendary soul singer Bettye LaVette takes on the songs of Bob Dylan with the grit and experience that makes her one of the greatest living soul singers alive. Things Have Changed is a masterpiece of interpretation of one of the greatest songwriters alive, by one of the greatest soul singers alive. Produced by Steve Jordan, the album spans Dylan’s catalogue and features guest appearances by Keith Richards and Trombone Shorty.
SLUFF is the debut release from the Seattle, WA band, Naked Giants. SLUFF is a collection of songs the band has been writing and performing over the past few years. The specific goal was to capture “THAT live energy” in a recording, but as the energies of the studio processes began to mingle, the album became an entity unto itself. Bassist Gianni Aiello explains, “We played our very best on this album, but there are still a good amount of mess-ups and rough edges that give it that ‘first album’ character. The album gets its personality in large part from the play between the planned and unplanned. With producer Steve Fisk (Nirvana, Low, Damien Jurado, The Posies), we could carefully craft some particular sonic signatures just as easily as stumble upon some random noise or mic technique. There’s no underlying concept for the album, but it’s this sort of order and chaos attitude which gives it a cohesive feeling.”
SLUFF is a rock and roll record for the modern rock and roller. Some songs are long, some are short, and some are even shorter than that. It’s full of hooks and plenty of guitar solos. The most important thing is that everything hits you all at once, feeling like it could all happen in a matter of seconds. This is the Naked Giants thesis statement...for now.
No Mercy In This Land is a blues record. Charlie Musselwhite and Ben Harper were introduced to one another by John Lee Hooker. The legendary musician thought the two men should play together, so he brought them into the studio to record a song called simply “Burnin’ Hell.” The two remained friends and their paths periodically crossed out there on the road. But it wasn’t until 2013 that the two met up in a studio to record what would be their Grammy winning album Get Up!. And as good as that record was, it was just the beginning. Both men agree that their friendship deepened in the many months of touring that followed. And it’s that bond, that closeness, that makes this new record something special. At first glance, Ben Harper and Charlie Musselwhite might seem an unlikely pairing. While Ben grew up in in the tree lined Southern California college town of Claremont, a bastion of culture and liberalism just east of Los Angeles, Charlie was raised in Memphis during the time of rockabilly and Sun Records. But while the two might have come to their musical knowledge in different eras and places, as Charlie explains, “We were both searchers and we’re still seeking.” Each of them possess an enduring hunger for musical knowledge that came to them early.
Its been over two years since Hinds released their breakout debut album Leave Me Alone, and today the Madrid-based band announce their long-awaited sophomore record. I Dont Run will be out April 6 via Mom + Pop, and shows a bigger, better, faster, funnier, more dexterous Hinds. Co-produced by Hinds and Gordon Raphael (The Strokes, Regina Spektor), and engineered by Shawn Everett (Alabama Shakes, Perfume Genius, The War On Drugs, John Legend), I Dont Run is the product of a band fighting for their place, a band unwilling to rely upon their successes, a band who have just begun to prove themselves, and a band who plays hard but works even harder. With this second LP they continue their quest to own their narrative one of sisters doing it for themselves. Their debut album, Leave Me Alone has received major praise from NPR, Rolling Stone, The New Yorker, as well as appearances on Late Night with Stephen Colbert.
Pigeonholing Blackberry Smoke has never been easy. Since emerging from Atlanta in the early ‘00s, the quintet – vocalist/lead guitarist Charlie Starr, guitarist/vocalist Paul Jackson, bassist/vocalist Richard Turner, drummer Brit Turner and keyboardist Brandon Still – has become known for a singular sound indebted to classic rock, blues, country and folk. Find A Light, Blackberry Smoke’s sixth studio album, doubles down on diversity. Songs hew toward easygoing roots-rock (“Run Away From It All”) and Southern rock stomps (“The Crooked Kind”), as well as stripped-down acoustic numbers (“I’ve Got This Song”) and bruising alt-country (“Nobody Gives A Damn”). Rich instrumental flourishes – keening fiddle, solemn organ and bar-band piano boogie – add further depth and resonance.
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That title isn't just some random number. 12 is indeed the 12th album from Canadian power-pop perennials Sloan, which means it's as good as Led Zeppelin IV, Black Sabbath's Vol. 4, and Chicago 4 all put together. But seriously: not only are Sloan the rare band to make it to their 12th record, and not only are Sloan the rare band to make it to their 12th record with all four original members, and not only are Sloan the rare band to make it to their 12th album with four original members who are equally prolific songwriters, they're arguably the only band to make it to their 12th album with four original members who are both equally prolific songwriters and all still working at the top of their respective games, sounding utterly ageless in the process. On 12, each of the four principals contribute three stellar songs that play to their core strengths: Patrick Pentland with the soaring rock anthems, Chris Murphy with the playful, participatory sing-alongs, Jay Ferguson with the jaunty prog-pop gems, and Andrew Scott with the whimsical innerspace explorations. Says Murphy, "I guess with the album title, we are showing off the fact the we have 12 records."
The highly-anticipated album, The Tree of Forgiveness, is Prine's first collection of new material since 2005's Grammy-winning Fair and Square. Rather than going out on a limb, Prine cultivated the themes that have brought international acclaim since the 1970s. For example, he can take a topic like loneliness and make it funny or heartbreaking.
Prine teamed with Grammy-winning producer Dave Cobb to record in Nashville's historic Studio A, enlisting friends like Brandi Carlile, Jason Isbell, and Amanda Shires to sing along. The songs are new, although some had waited to be finished for decades, like a co-write with Phil Spectro called 'God Only Knows'; Another incomplete song, 'I Have Met My Love Today' now celebrates the unexpected spark that leads to lifelong romance -- with a dash of youthful innocence. The musical arrangements may be simpler than on past efforts, yet his unique ability to distill complex emotions into everyday language remains fully intact.
When asked to describe the title track from his new record, Kyle Thomas—aka King Tuff—takes a deep breath. “It’s a song about hitting rock bottom,” he says. “I didn’t even know what I wanted to do anymore, but I still had this urge—this feeling—like there was this possibility of something else I could be doing… and then I just followed that possibility. To me, that’s what songwriting, and art in general, is about. You’re chasing something, there is something out there calling to you and you’re trying to get at it. ‘The Other’ is basically where songs come from, it’s the hidden world, it’s the mystery. It’s the invisible hand that guides you whenever you make something. It’s the thing I had to rediscover—the sort of voice I had to follow—to bring me back to making music again in a way that felt true and good.”
With the release of his highly anticipated debut album Mr. Jukebox via Third Man Records, Joshua Hedley will embrace the role he was born to play: this generation’s classic country champion.
An accomplished fiddle player, Hedley felt inexplicably drawn toward the instrument as a child. He got his hands on his own fiddle at age 8, and by 12, he was playing with middle-aged pickers at the VFW. At 19, he moved from his native Florida to Nashville, where he became an in-demand sideman at Robert’s Western World and other bars, and ultimately, a well-respected frontman. Armed with an easy croon and prodigious fiddle playing, he became known as the Mayor of Lower Broad. He hit the road to perform with artists including Jonny Fritz, Justin Townes Earle, and more, while the 2015 documentary Heartworn Highways Revisited featured Hedley prominently.
John and TJ Osborne co-wrote every track on Port Saint Joe along with frequent collaborators Lee Thomas Miller, Kendall Marvel, Barry Dean, Shane McAnally, Troy Verges and more. The title, Port Saint Joe, reflects the small town on the Florida coast where the real-life siblings recorded the album.
“Port Saint Joe is a sonic representation of who we’ve become not only as a band but as people,” says John Osborne. “Every show we’ve ever played together is on this record. Every song we’ve ever written and every mile we’ve ever ridden has led to the making of this record. Imperfections and all.”
TJ adds, “we shacked up for two weeks to make an unabashed record that would reflect who we are in every way, and in the process we had the most enjoyable and memorable recording experience of our lives.”