THE APOLLO: Original Motion Picture Soundtrack is the audio accompaniment to the HBO documentary released November 6. Helmed by Oscarr and Emmyr-winning director Roger Ross Williams, THE APOLLO chronicles the unique history and contemporary legacy of New York City's landmark Apollo Theater. The soundtrack album is produced by the film's music supervisors, Grammy-nominated Dondi Bastone and TunesMap founder G. Marq Roswell, and mastered by Ian Sefchick at Capitol Studios.

High Road is the new album from the modern pop icon Kesha, and the follow up to her 2017 GRAMMY-nominated album Rainbow.

High Road finds Kesha on a joyful musical journey of self-discovery. The album is filled with emotional and stylistic range, and is a blend of heavenly highs and emotional depths. Kesha’s swagger is front and center, with frisky, rap-based tracks that show-off her skills as a lyrical spitfire, and also a folkier side that emerges. With a dream-pop ode to a best friendship, a reflective ballad about growing up without a father, and plenty of lust and laughter, High Road traverses the emotional spectrum.

For High Road, Kesha enlisted an eclectic roster of collaborators/songwriters/producers including John Hill, Dan Reynolds, Stuart Crichton, Jeff Bhasker, Drew Pearson, Brian Wilson, Sturgill Simpson, Nate Ruess, Justin Tranter, Stint, Wrabel, and Pebe Sebert, among others.

Kesha has sold more than 14 million total album equivalents worldwide, and has had 9 Top 10 hits on The Billboard Hot 100, including four #1 singles at Top 40 Radio.

"Black Hole Rainbow” was produced by Grammy Award-winning producer Shawn Everett (Alabama Shakes, The War On Drugs) in his iconic Downtown LA studio, with additional album production from Ariel Rechtshaid (Vampire Weekend, HAIM). Shortly after wrapping the recording, Devon and a team from Capitol embarked on a trip to South Africa to grasp the creative vision for the new record. One which you can see very clearly through the imagery associated with the roll out. “Get Out and Get It” was the first single and music video to be release, landing in the top 15 at AAA radio. “Even Though It Hurts” followed not long after with a visualizer and saw a lot of love from fans and critics alike. The upcoming record named “Black Hold Rainbow” will undoubtedly be one of the best debuts in 2020.

...And You Know Us By The Trail Of Dead are celebrating their 25th year as a band in 2020 and they will be releasing their 10th album "X: The Godless Void and Other Stories" on 1/17 via Dine Alone. This is their first album since 2014.

Recorded over the course of a series of freewheeling, improvisatory sessions, Kingdom In My Mind is The Wood Brothers seventh studio release and their most spontaneous and experimental collection yet. A testament to the limitless creativity of the unharnessed mind, the record explores the power of our external surroundings to shape our internal worlds (and vice versa), reckoning with time, mortality, and human nature. The songs here find strength in accepting what lies beyond our control, thoughtfully honing in on the bittersweet beauty that underlies our pain and sadness with vivid character studies and unflinching self-examination. Deep as the lyrics dig, the arrangements always manage to remain buoyant and light, though, drawing from across a broad sonic spectrum to create a transportive, effervescent blend that reflects the trio s unique place in the modern musical landscape.

Aurora features reimagined versions of the band’s biggest and most popular songs with special guests including Lacey Sturm (ex-Flyleaf), Scooter Ward(Cold) and Spencer Chamberlain (Underoath), to name a few.  Speaking about Aurora, BREAKING BENJAMIN’s founder/frontman, Ben Burnley, had this personal message to share,”This album is a celebration of our incredible fans; for those who have been there since hearing ‘So Cold’ for the first time in 2004, and the new ones who have joined us on this amazing journey along the way. We’ve always shared a unique emotional connection to our music with our fans, and this album attributes to those dark times and euphoric ones. From wherever you joined along the road to Aurora, this one is for you. Thank you.” 

ANDY SHAUF is becoming one of the most important songwriters of his generation. His songs are tuneful vignettes of small moments and big hearts. On his latest, The Neon Skyline, Shauf intertwines stories of a group of friends who frequent a local dive bar, and through them, makes poignant observations about human nature with a novelist’s detail and melancholic humor. The songwriting is down to earth, yet sophisticated and inventively melodic. The Neon Skyline is a creative leap for this already acclaimed artist.

When Poliça's Channy Leaneagh fell off her roof while clearing ice in early 2018, she smashed her L1 vertebrae and battered her spine, leaving her in a brace with limited mobility for months. Yet Poliça's fourth album, When We Stay Alive, is not about one debilitating accident. It's about the redemptive power of rewriting your story in order to heal, and reclaiming your identity as a result. When We Stay Alive possesses a new confidence in its sound, reflected in its fierce, determined songs and anchored by the heavy synths and punctuating beats of Poliça co-founder and producer Ryan Olson. Over the last several years Olson and Leaneagh have widely collaborated with musicians from all over the world: both with Bon Iver, and Leaneagh individually with Boys Noize, Lane 8, Sasha, Leftfield, and Daniel Wohl; Olson with Swamp Dogg in addition to countless musicians from the Aaron Dessner and Justin Vernon's 37d03d collective. As a result, When We Stay Alive features one of the largest musical casts of any Poliça record to date. To create the album, Olson brought his favorite collaborators into his studio for all-night sessions. He'd then send Leaneagh the files to write lyrics to while recovering at home, which she'd record alone or with engineer Alex Proctor. Drummers Drew Christopherson and Ben Ivascu colored the songs with a new approach ' drastically changing the rhythmic dynamic from previous efforts by creating an indistinguishable hybrid of live and electronic instrumentation--and bassist Chris Bierden provided a melody-laden low-end as well as more layered backing vocals than ever before. On Poliça's first three albums, Leaneagh focused on restructuring the world and her relationships within it. On When We Stay Alive, she realizes the power in restructuring her inner self. The album's title references the idea of moving forward through life ' our experiences, both good and bad ' and what happens next with the strength we find. 'I had been living unconsciously in past trauma,' Leaneagh says. 'I don't want to deny something happened ' this is not about repression ' it's about taking the power back from the past, holding the power in the present, and creating a new story for myself.'

With their ninth album, Nada Surf: Matthew Caws, Daniel Lorca, Ira Elliot, and Louie Lino continue pursuing their humanistic vision of the world through hooky, catchy rock songs with sharply drawn, yet tenderly felt lyrics. Never Not Together, is a compact, yet wide-ranging collection of songs that revel in the quartet's ability to evoke and reflect grand and intricately wrought emotions, whether through sweeping guitar solos or hushed-whisper vocals. Never Not Together was recorded at the Coach House Studio in Wales' Rockfield Studios, where artists like Echo & the Bunnymen, the Flamin' Groovies, and Dumptruck recorded albums. "I've been seeing the name on albums for so long," says Caws. "It's a working farm, and the founder/owner, Kingsley Ward, would come in and tell us stories when he wasn't farming. I'd walk into town every morning and listen to the sheep talking as I walked by them."That openness to listening to their fans, to each other, to the world has helped inform Nada Surf's legacy as down-to-earth rock stars musicians who can command festival stages around the world while connecting to audience members on a personal level, conscious of the shared humanity every step of the way.