The Saint Of Lost Causes is the 8th album from American roots troubadour, Justin Townes Earle.  Earle’s latest album finds a songwriter and artist who is unflinching and unequivocal in his truth. When writing this album, Earle focused on a different America—the disenfranchised and the downtrodden, the oppressed and the oppressors, the hopeful and the hopeless. There’s the drugstore-cowboy-turned-cop-killer praying for forgiveness (“Appalachian Nightmare”) and the common Michiganders persevering through economic and industrial devastation (“Flint City Shake It”); the stuck mother dreaming of a better life on the right side of the California tracks (“Over Alameda”) and the Cuban man in New York City weighed down by a world of regret (“Ahi Esta Mi Nina”); the “used up” soul desperate to get to New Orleans (“Ain’t Got No Money”) and the “sons of bitches” in West Virginia poisoning the land and sea (“Don’t Drink the Water”). These are individuals and communities in every corner of the country, struggling through the ordinary—and sometimes extraordinary—circumstances of everyday life.

‘NCT #127 WE ARE SUPERHUMAN’ is NCT 127’s 4th mini album. The single “Superhuman” is a complextro genre with various elements of EDM. Among 6 songs in total, track number 6 “OUTRO : WE ARE 127” shows their universe of being connected in a dream and becoming a whole through music. In this album, “Social House” who produced Ariana Grande’s 7 Rings and Thank U, Next participated. Also, the collaboration with TAK and Adrian Mckinnon elevated the completion of the album with new, fresh sounds. The album includes 1 photo card (random 1 out of 9), 1 group poster (only for the initial order), 1 circle card (random 1 out of 9), and 1 “US Distributer Exclusive” postcard. This will count towards Billboard and Gaon charts.

With their latest album 'Full Upon Her Burning Lips', Earth have stripped away the layers and auxiliary instrumentation that embellished some of their previous records and have deconstructed their dynamic to the core duo of Dylan Carlson on guitar and bass and Adrienne Davies on drums and percussion. The ten tracks on 'Full Upon Her Burning Lips' came together in bits and pieces. Some songs stemmed from a handful of musical phrases and repeating patterns concocted in moments of downtime during their 2017 tour schedule, while others came from rehearsals in the months leading up to recording or in moments of divine inspiration in the studio. The record was engineered, mixed, and mastered by longtime associate Mell Dettmer at Studio Soli. Knowing their process and their sound, Dettmer helped harness, shape, and document the songs in a manner that highlights the depth of Earths sparse components, capturing a hidden dimension to the patterns and creating a kaleidoscope of auditory activity.

Mavis Staples returns with a brand new studio album produced and written by Ben Harper. Backed by Mavis’ critically acclaimed live band, We Get By features 10 songs of longing, strength, and spirituality, presented with simplicity, grit and sublime beauty. Highlights include the buoyant, “Anytime”, the cathartic, “Change”, and the title track, an uplifting duet with Ben Harper.

Enter Flamagra - a work that sweeps up every quantum advance and creative leap of the last dozen years of Lotus career and takes them even further; the Warp release encompasses hip-hop, funk, soul, jazz, global dance music, tribal poly-rhythms, IDM, the L.A. Beat scene, but it soars above a specific vortex whose coordinates can t be accurately charted. Other than to say that it is a Flying Lotus record, perhaps the definitive one. An astral afro-futurist masterpiece of deep soul, cosmic dust, and startling originality. He s aided by a dream cast of collaborators: Anderson Paak, George Clinton, Yukimi Nagano of Little Dragon, Tierra Whack, Denzel Curry, Ishmael Butler of Shabazz Palaces, Toro y Moi, and his telepathic kinsman, Thundercat. David Lynch even pops up for an eerie narration wherein he somberly warns that, 'Fire is coming.' But they all naturally bend to the magnetic warp of Lotus spells -- a transfixing hex unto themselves. Limited Edition double vinyl with mirrorboard pop-up gatefold sleeve.

It was on a mountainside in Cumbria that the first whispers of Cate Le Bon’s fifth studio album poked their buds above the earth. “There’s a strange romanticism to going a little bit crazy and playing the piano to yourself and singing into the night,” she says, recounting the year living solitarily in the Lake District which gave way to Reward. By day, ever the polymath, Le Bon painstakingly learnt to make solid wood tables, stools and chairs from scratch; by night she looked to a second-hand Meers — the first piano she had ever owned — for company, “windows closed to absolutely everyone”, and accidentally poured her heart out. The result is an album every bit as stylistically varied, surrealistically-inclined and tactile as those in the enduring outsider’s back catalogue, but one that is also intensely introspective and profound; her most personal to date.

Amyl and The Sniffers are a grimy pub rock band from Melbourne, Australia. The band take their cues from a diverse mix of hard rock, Aussie punk, and country. They set out to have as much fun as possible and scared up a whole lot of fans along the way. AATS were brought to ATO’s attention when they opened for King Gizzard. The Sniffers have since been selling out headlining dates in the US and have sold through three pressings of their "Some Mutts" single. Their full-length album releases 5/24.

Guns N’ Roses bassist and New York Times bestselling author Duff McKagan’s new solo album, Tenderness, is a reflection on his experiences traveling the globe over two and a half years on GNR’s Not In This Lifetime tour. Encountering heartbreak, anger, fear, confusion and divide on his travels during this tumultuous time in our world history, McKagan channeled a collective hurt into songs of monolithic power. The album was produced by recent Grammy winner Shooter Jennings and features Jennings’ band along with appearances by The Waters and The Suicide Horn Section, amongst others. Pressed on 180-gram audiophile black vinyl and housed in a single-pocket gatefold jacket, the vinyl edition features 10 tracks and a unique sequence carefully selected by Duff and Shooter.

Omoiyari is Kishi Bashi's fourth album, following the acclaimed 151a (2012), Lighght (2014), and Sonderlust (2016). Channeling the hard-learned lessons of history, Omoiyari reflects the turbulent socio-political atmosphere of present day America. "I was shocked when I saw white supremacy really starting to show it's teeth again in America," Kishi Bashi says. "My parents are immigrants, they came to the United States from Japan post-World War II. As a minority I felt very insecure for the first time in my adult life in this country. I think that was the real trigger for this project." Kishi Bashi recognized parallels between the current U.S. adminis- tration's constant talk of walls and bans, and the xenophobic anxieties that led to the forced internment of Japanese-Americans in the months following the attack on Pearl Harbor. So he immersed himself in that period, visiting former prison sites and listening to the stories of survivors, while developing musical concepts along the way. The unique creative process behind Omoiyari has been documented in a film scheduled for release in early 2020. "I didn't want this project to be about history, but rather the importance of history, and the lessons we can learn," Kishi Bashi reflects. "I gravitated toward themes of empathy, compassion, and understanding as a way to overcome fear and intolerance. But I had trouble finding an English title for the piece. Omoiyari is a Japanese word. It doesn't necessarily translate as empathy, but it refers to the idea of creating compassion towards other people by thinking about them. I think the idea of omoiyari is the single biggest thing that can help us overcome aggression and conflict." The strong conceptual elements of Omoiyari are driven by Kishi Bashi's captivating musical score. Stepping away from his past loop-based production model, he embraced a more collaborative approach when recording, and for the first time included contributions from other musicians, such as Mike Savino (aka Tall Tall Trees) on banjo and bass, and Nick Ogawa (aka Takenobu) on cello. Kishi Bashi's spectacular trademark violin soundscapes are still an essential component of his sound, but the focus of Omoiyari is centered squarely on it's songs. While the theme of Omoiyari is rooted in 1940s America, the album's message is timeless. In exploring the emotional lives of the innocent Japanese-Americans who were unjustly incarcerated, Kishi Bashi hopes to nurture a sense of empathy, or omoiyari, in all who hear the album.

Eagles Of Death Metal’s Jesse “Boots Electric” Hughes is tipping his hat to 13 of his favorite songs with his first covers album, titled Eagles Of Death Metal Presents Boots Electric Performing The Best Songs We Never Wrote. Hughes recorded and produced electrifying renditions of 13 songs he loves, including covers of KISS, Guns N’ Roses, AC/DC, Love & Rockets, Ramones, Steve Miller Band, George Michael/Wham, Mary J. Blige, Queens of the Stone Age, The Distillers, David Bowie & more!

The preeminent male group of this century, Jonas Brothers opened the floodgates for a new era of titans in pop music. They earned three consecutive number one albums and sold out shows throughout three continents. Selling over 17 million-plus albums with over 1 billion streams worldwide, they've achieved dozens of platinum and gold certifications. The tremendous success of the band provided a launch pad for their storied solo careers who have kept loyal fans yearning for a reunion, until now.