Coheed and Cambria have distinguished themselves as among the most gifted storytellers in rock. While the most conceptually abstruse Coheed records have always had a foundation in reality,The Color Before the Sunmarks the first time Sanchez is exposing his raw feelings, narrated from his own perspective. His own story is told through big, bright, driving, colorful songs that beam like power-pop, crunch like vintage '90s emocore and float with the expansive feel of space-rock.

Beastie Boys’ classic “SABOTAGE” has been starting parties and ending Beastie Boys shows since 1994. And now, to mark the 25th anniversary of ILL COMMUNICATION, the album that returned Beastie Boys to the #1 spot, Made to play on the RSD3 mini-turntable, the RSD3 “ SABOTAGE” single comes in an outer box that reproduces the original 7” single sleeve art, and includes a pull-out Ill Communication poster. This commemorative release is limited to 2500 copies.

Each track on Sleepwalkers' Ages feels like the title song to some lost Hollywood production of the late 70s to late 80s, those formative movies that shaped young imaginations, touchstones of humor, struggle, romance and adventure. Through fourteen electrifying tracks, Sleepwalkers absorb the symbologies of American pop production and the iconographies of American rock performance with tremendous depth and feeling. Ages is a bona fide party record that is able to convey a mood of bittersweet elation through a series of well-aimed emotional arcs. The follow-up to their ‘60s fanstasia, cult-favorite debut, Greenwood Shade (2014), it feels equally effortless, backed by the band’s facility with the structures and language of pop music.

Behind this maximalist pop masterpiece are two brothers, Michael and Austin York, and Alex DeJong. Sleepwalkers are an astonishing live band possessing a sound both stadium-filling and soul-nourishing, proven over tours supporting J. Roddy Walston & The Business, The Lumineers, and The Shins. Fantastic natural songwriting, personal experience amplified to a broad lyricism, uncompromising sincerity and uncompromising commitment to ‘having a fine evening,’ all of it steeped in the vernacular culture of Richmond, Virginia.

Hamell On Trial is set to reissue Choochtown (20th Anniversary Edition) Digitally and on CD with 11 bonus tracks from the original recording sessions with Billy Nicgorski. Choochtown will also see its first proper vinyl release worldwide. The vinyl version is a remastered version of the original album released in 1999. Ed Hamell on ChoochtownI was living in Brooklyn, constantly on the road, and been dropped from my major label deal on Mercury/Universal. I really had nothing to lose and I was very inspired, if I remember, by the movie Pulp Fiction and the Biggie Smalls record: Ready To Die. I recorded anywhere I could. My friend Billy Nicgorski had an analog one inch studio in his basement, his younger brother had a band and I would use them. I also did a bunch of it in my basement in Brooklyn which had a dirt floor and I set the recording gear up on plastic paint pails. Used them as drums sometimes too. I released it on my own label Such-A-Punch and it got licensed to Evangeline in the UK where it got rave reviews and established my career over there. After all the press I got for my first two albums on a major I couldn't get anything over here in the States, only that CMJ magazine which took their silliness pretty seriously who basically said, We don't know what it is but it's art. Duh. I'm pretty proud of all my records, I've been very lucky in that I've always been able to maintain complete creative control but this one I was particularly proud of because every inch of it, from the recording which one track as you'll see was recorded on my boom box, to the artwork, was all mine. ...amazing and entertaining and poignant... -- The Stereo Times Online Magazine, October 2000 ...high-spirited...manic energy..artful -- CMJ, April 2000 *****(5 stars--highest rating) Absolutely brilliant! -- UNCUT Magazine, April 2001

Ed Sheeran celebrates the announcement of his No.6 Collaborations Project – which arrives everywhere on July 12 – with the release of new song “Cross Me” featuring Chance the Rapper and PnB Rock. This new collaboration follows the release of “I Don’t Care” with Justin Bieber, which shot straight to #1 on the Billboard Digital Songs chart and #2 overall on the Hot 100. All 184 Top 40 radio stations added the track, making it only the fifth song in the modern era to win support from the full panel of Mediabase-monitored pop stations. Likewise, all 97 adult radio stations in the country added the song. An instant worldwide phenomenon, “I Don’t Care” hit #1 in the UK, Australia, Ireland, Italy, Netherlands, Switzerland, Finland, Sweden, and more.

Paul Is Live, recorded during the tour in support of Off The Ground, was Paul's fifth live album and is famous for its title s double meaning and the rumour-scotching cover art. Ever since the 1969 release of Abbey Road, there had been hoax-fuelled stories of Paul's untimely death. The new title was a way of saying that this was most definitely not the case. The artwork is a play on the famous Abbey Road cover, with Paul crossing that same street but wearing shoes and using his left hand this time. (Originally, his bare feet and the holding of a cigarette in his right hand had supposedly been clues that it wasn't him on the cover.) As well as a raft of solo, Wings and Beatles favourites, the album also offers an insight into the band's sound checks, the final three songs all being improvised during rehearsals in various locations on the tour. Performed by Paul McCartney: Vocals, Bass, Electric & Acoustic Guitars, Piano Linda McCartney: Vocals, Keyboards Hamish Stuart: Vocals, Electric & Acoustic Guitars, Bass Robbie McIntosh: Electric & Acoustic Guitars, Vocals Wix Wickens: Keyboards, Vocals Blair Cunningham: Drums, Percussion

Amoeba Gig is the first full length commercial release of Paul’s surprise free concert at Hollywood’s Amoeba Music on June 27, 2007. To date only four songs have seen wide release as the Amoeba’s Secret EP, two of which were nominated for Grammy Awards in 2008: "That Was Me" for Best Male Pop Vocal Performance and "I Saw Her Standing There" for Best Solo Rock Vocal Performance. A few years later in November 2012, an extended 12-song excerpt of the Amoeba show titled Live in Los Angeles – The Extended Set was made available free to PaulMcCartney.com premium members for a limited period. And come July 12, 2019, a full 21-song recording documenting possibly the most intimate L.A. show Paul has ever played will be made available to the public for the first time. The millions of people not among the luckier than lucky few hundred rubbing elbows with the likes of Ringo Starr and Woody Harrelson during that once in a lifetime in-store set will be able to experience those performances of Beatles classics “The Long And Winding Road,” “I’ll Follow The Sun” and “I’ve Got A Feeling,” Flaming Pie’s “Calico Skies,” plus Carl Perkins’ “Matchbox,” Jan Garber’s “Baby Face” and an emotional rendition of “Here Today.” Additionally, the LP will include an exclusive soundcheck recording of “Coming Up."

Amoeba Gig has been newly remixed by Paul’s engineer Steve Orchard and will be available in configurations including CD, Digital, 2 x 180g black vinyl, and limited-edition color vinyl (LP1 - clear, LP2 - hazy amber transparent).