Music Releases 03-22-19
The 11 all-new original songs were written by Lewis and recorded at Capitol Records’ Studio B, andfeature a backing band of legendary talent including Beck, Benmont Tench, Don Was, Jim Keltner, Ringo Starr and Ryan Adams.
La Dispute is five close friends from the Upper Midwest with a firm passion for the concept of music and art as a medium for making new friends. As a result, La Dispute makes (or strives to make) music that is both artistically, technically, and emotionally engaging in hopes of establishing legitimate connections with any and all interested people, while encouraging dialogue between those people and themselves about things in life that truly matter and that truly last. La Dispute also carries a firm passion for the relevance of a live show, both for the bands involved and for the people in attendance, and will go to the grave believing that the environment created when strangers come together despite their differences to celebrate one important thing is invaluable and should not under any circumstances be taken for granted.
Single LP on black vinyl with matte coating. Includes coupon for full download
When Ex Hex exploded onto the scene with their unfettered brand of rock and riffage, the power trio for our generation had finally arrived. Made up of Mary Timony (guitar, vocals), Betsy Wright (bass, vocals), and Laura Harris (drums), the group’s 2014 debut Rips was a gleaming collection of tightly wound gems that scored Best New Music honors from Pitchfork, the top spot on Magnet Magazine’s Best of 2014 list, and No. 11 in that year’s Pazz & Jop critics poll. Near-constant touring throughout 2015 and 2016 established the band as a force to be reckoned with: an audacious three-piece distilling rock music to its essence with formidable skills and a reputation for frenzied and unabashedly fun live shows.
On It’s Real, the group’s forthcoming second album, Ex Hex’s commitment to larger-than-life riffs and unforgettable hooks remains intact, but the garage-y, post-punk approach that defined Rips has grown in scale and ambition. What started as a reaction to the blown-out aesthetic of Rips would test the sonic limits of the power trio and lead the band on a quest for a more immersive and three-dimensional sound. Vocal harmonies are layered ten tracks deep, solos shimmer and modulate atop heaving power chords, and the codas linger and stretch toward new frontiers of sound. On first listen, you might think you’ve unearthed a long-lost LP carved from the space where crunch-minded art rock and glitter-covered hard rock converge, an event horizon at the intersection of towering choruses and swaggering guitars.
Fifteen years after American Football’s highly influential self-titled debut album (American Football), the band reunited (now as a four-piece, with the addition of Nate Kinsella) and recorded their long-anticipated second album, 2016’s American Football (LP2). The release was widely praised, but the band members still felt like their best work was yet to come. American Football (LP3) is contemplative, rich, expressive, yet with a queasy undercurrent. Featuring guest vocals from Paramore’s Hayley Williams, Slowdive’s Rachel Goswell, and Land of Talk’s Elizabeth Powell, the album is heavy with expectancy, revealing its ideas slowly, eliciting the hidden stories people carry around with them. There was a determination to let the songs breathe, to trust in ideas finding their own pace.
Mötley Crüe is one of The World s Biggest and Most Notorious Rock Bands. They laid the foundation for their inimitable career in the '80s with their genre-bending music and relentless reputation, typifying an excess never before seen in modern music. They continued to evolve through the '90s and beyond, redefining what it meant to be storytellers in music, with the release of their NY Times Best-selling book, The Dirt, in 2001. This page-turning rock epic offered a glimpse into The Crüe s iconic lives and has now become a Netflix original movie, giving fans a chance to reconnect with the band they know and love in an unprecedented way. As a band they have released nine studio albums, seven of which are certified platinum or multi-platinum, selling over 100 million copies worldwide; 22 Top 40 mainstream rock hits; six Top 20 pop singles; a star on the Hollywood Walk of Fame; three Grammy nominations for Best Hard Rock Performance; and countless sold-out tours across the globe during their 30 plus years on the road, playing to millions and generations of fans. Besides their hook-filled, groundbreaking music, Mötley Crüe s image pioneered an attitude, fashion sense and lifestyle all of which are portrayed throughout the film capturing the nostalgia.
Debut album from ATO's priority developing artist, Nilüfer Yanya. Taking her inspiration from iconic songwriters such as Nina Simone and Jeff Buckley as well as modern influences Connan Mockasin and The Strokes, Nilüfer's music incorporates the city’s urban edge with beautiful wandering guitar lines, downtrodden soulful and jazz flickered melodies, on top of minimalist and atmospheric beats. Releasing 3/22 via ATO Records
My Finest Work Yet finds Bird grappling with themes of current day dichotomies and how to identify a moral compass amidst such divisive times. “I’m interested in the idea that our enemies are what make us whole—there’s an intimacy one shares with their opponent when locked in such a struggle. If we were to just walk away would our enemies miss us? How did we get to this point and how can we, through awareness of it, maybe pull ourselves out of this death spiral,” says Bird.
Significant Changes is a blend of vintage drum machine funk drawing heavily on Chicagos house blueprint - a natural progression from a string of EPs both solo and alongside her friend and mentor DJ Fett Burger.Hailing from the small town of Grand Forks, British Columbia - some 6 hours outside Vancouver - Jayda Guy grew up surrounded by nature, which sparked an early interest in biology. In 2018 she completed her Masters in Resource and Environmental Management specializing in environmental toxicology, wherein she specifically studied the effects of human activity on the Salish Sea killer whales (orcas) of Vancouver, BC. It was also the year that she finished recording her debut album as Jayda G - Significant Changes.
2018 marked the 35th anniversary for Megadeth, one of the most influential powerhouses in thrash metal. All year long the band celebrated with various events, culminating in Warheads on Foreheads - with Dave Mustaine personally A&R’ing a new anthology honoring his legacy - 35 tracks for 35 years, on 3CD, Digital and 4LP. For the first time, a Megadeth anthology includes tracks from The System Has Failed, United Abominations, Endgame, Th1rt3en, Super Collider and the Grammy award winning Dystopia. “Warheads on foreheads” is a military term expressed when bombing missions are underway.
As with 2012's engrossing Mr. M and 2016's staggering FLOTUS, Kurt Wagner's openness to unexpected collaborators to give his thoughts and feelings the shape they need was central to the creation of This (is what I wanted to tell you). In the summer of 2017, Wagner re-met Matthew McCaughan, who has spent the last decade drumming for the likes of Bon Iver and Hiss Golden Messenger. McCaughan told Wagner he had been adventuring inside the world of rack-mounted analogue synthesizers and asked if Wagner might send some vocals to which he could compose. They became instant musical pen pals, with Wagner sending him a cappella takes of new song ideas and McCaughan dispatching long-form synthesizer pieces for inspiration. McCaughan eventually headed to Nashville, where, together, they put a band behind the songs, using pedal steel and piano and the harmonica of Nashville legend Charlie McCoy to color in the spaces of these black-and-white sketches.
The third full-length from L.A. band Bad Suns, Mystic Truth gets its title from a piece of art that vocalist Christo Bowman stumbled upon while visiting London’s Tate Modern on tour. Created by Bruce Nauman in 1967, the neon-and-glass piece spells out a possibly paradoxical statement in blue spiraled cursive: “The True Artist Helps the World by Revealing Mystic Truths.” “I thought that connected back to the message of the record, which is about finding the extraordinary in very simple things, even though we’re living in a very dark time right now,” says Bowman, whose bandmates include guitarist Ray Libby, bassist Gavin Bennett, and drummer Miles Morris. “Instead of succumbing to that darkness, I think you’ve got to try to hold onto some optimism, and try to uncover those simple miracles so you don’t lose the plot of what’s really important.” Right from the album-opening “Away We Go,” Bad Suns reveal the timeless sensibilities at the heart of Mystic Truth. With its soaring vocals, majestic piano melodies, and fiery guitar tones, the song unfolds as a brightly anthemic battle cry. “‘Away We Go’ was mostly inspired by us growing up and really being adults for the first time, and trying to make sense of all that,” says Bowman, who co-founded Bad Suns at age 17. “It’s about learning how to make decisions for yourself, and sometimes just going for something and blindly trusting that it’s going to work out.”
For his feelgood third solo album We Wanna BeHyp-No-Tized, Pavement co-founder Scott Kannberg best known to the musical world as Spiral Stairs concocted some of the most fun and accessible music of his storied career by expanding his musical repertoire. We Wanna Be Hyp-No-Tized is fun, infectious and musically compelling, while still managing to cover some hefty topics like the current rambunctious political climate. Reuniting the bulk of the dream team who assisted him on Doris & The Daggers bassist Matthew Harris (Oranger, The Posies), multi instrumentalist Tim Regan and good friend Kelley Stoltz, as well as former touring Preston School Of Industry drummer Jim Lindsay We Wanna Be Hyp-No-Tized is the most fully rendered encapsulation to date of Spiral Stairs inimitable aesthetic.
The stars aligned and the strawberry moon coincided with the 2016 summer solstice. Our recording session felt like a potluck dinner - a group of interesting new friends convened and marveled at what was brought to the table. Oh, a gut-string banjo and a clarinet? Check out this Mississippi bamboo cane fife and funky beats. Is it ok if I sing this harmony? Wow, listen to how our voices blend together.The music came together and flowed organically, as did the band name. The Sisters of the Strawberry Moon passed the mic, family style, backing each other up with sympathy and empathy, enjoying their new found chemistry. With instruments as ingredients and songs as recipes, the Sisters of the Strawberry Moon stirred up lovely new concoctions as well as fresh interpretations of family heirloom songs we hold dear. We believe music is a celebration of life and folk music an expression of community and family, and Solstice is an artifact of our new friendship and musical fellowship.
Sam Beam, aka Iron & Wine, released Our Endless Numbered Days, his second in March of 2004. It followed his hushed, literate, intimate, melodic, 2002 debut album, The Creek Drank the Cradle, a quiet treasure which, with its unaffected candor and depth, found fans all over. Our Endless Numbered Days was recorded both at Sam’s Miami home and in Chicago’s Engine Studios with Brian Deck (Red Red Meat, Modest Mouse, Ugly Casanova, etc.) On it, Sam is aided and abetted by his then touring and recording conspirators: his sister Sarah Beam, Patrick McKinney, Jeff McGriff, EJ Holowicki, and Jonathon Bradley. Listening to Our Endless Numbered Days makes plain Sam’s deft touch with words and melody; one that allows him to turn out stories about love, loss, faith, or the lack of it that are at once personal and universal, set to music that is sweetly haunting and timeless. Our Endless Numbered Days is the first Iron & Wine album to be recorded in a professional studio, and it has sold over 460,000 copies (556,000+ including streaming) as of December, 2018. This reissue features the original album, plus eight previously unreleased demo versions and a 12-page booklet with an essay about the album by Amanda Petrusich.
Recorded at Los Angeles' Sargent Studios, the album sees Wallows reunited with Grammy award-winning producer John Congleton (St. Vincent, Alvvays, Future Islands) and captures the band's journey towards adulthood through 11 intimate, introspective tracks.
The Rippingtons featuring Russ Freeman are back with a new album: Open Road. The Rippingtons and Russ Freeman have been at the forefront of the contemporary jazz, smooth jazz, and instrumental pop music genres! They have sold over 3.5 Million albums to date. Every new Rippingtons album has Debuted in the Top 5 of the Billboard Jazz Chart including 4 Number 1 Debuts! With every album a new chapter has been written with their innovative song writing, in-studio production and inventive instrumentation, and Open Road is no exception.
New Vinyl: $19.98 Buy
Allison de Groot & Tatiana Hargreaves's self-titled debut album is a powerful opening statement. The record not only showcases the duo's impressive musicianship, but is a reflection on which voices we seek to hear as we explore the expansive, diverse canon of American roots music. The album's 13 tracks feature lesser-known American fiddle and banjo songs from African American duo Nathan Frazier & Frank Patterson, centenarian Arkansas fiddler Violet Hensley, bluegrass pioneer Alice Gerrard, contemporary master tunesmith Judy Hyman (The Horse Flies), and more. Already leaders in the young generation of roots musicians, de Groot has become known for her intricate clawhammer banjo work with Molsky's Mountain Drifters, while Hargreaves has brought her powerhouse fiddling to the stage with Gillian Welch and Laurie Lewis. Together they create a sound that is adventurous, masterful, and original, as they expand on the eccentricities of these old songs, while never losing sight of what makes them endure.
Now with over a billion streams of his music globally and being named Billboard’s “Chart-Breaker” in October, Deanhas topped local and international charts with ‘Be Alright’. The single was announced last week by ARIAas the fourth highest selling single in Australia and the second highest selling single from an Australian artist in 2018. Achieving GOLD certification by RIAA in the USA in December‘Be Alright’ is still charging up the charts hitting Top 40 at Billboard.
Bernard Herrmann, (Citizen Kane, Psycho, Taxi Driver), was one of the most original and distinctive composers ever to work in film. Vertigo is arguably Herrmann’s piece de resistance, and inarguably one of the greatest pieces of film music ever released. For Vertigo’s 60th anniversary, this LP has been remastered from the original analog tapes pressed at RTI on to 180 gm vinyl, and slipped into a classic tip-on jacket from Stoughton Press. Vertigo has never looked or sounded better.
Where the Sunshine Is Expensive is the debut recording of acclaimed powerhouse trombonist/vocalist Aubrey Logan on Resonance Records. Coined "The Queen of Sass" in the press, Logan was a featured guest on Dave Koz’s #1 selling contemporary jazz album, Summer Horns II: From A to Z, and her debut solo album Impossible (2017) charted in the Top 10 on the iTunes and Billboard jazz charts. Where the Sunshine Is Expensive was recorded live at the legendary EastWest Studios in Los Angeles in front of an intimate audience and captures an exciting blend of pop, jazz and R&B tunes that tell a story about Hollywood from Logan's unique perspective. Dave Koz says, "Aubrey is that rare artist who comes along once in a very long while. She truly makes you stop in your tracks. With such a communicative voice and style and a great sense of musical adventurousness, combined with unmatched technique, there’s really no emotion she can’t tackle musically. She’s the total package. Oh, and then there’s the trombone! She’s in a class all by herself.
Double vinyl LP pressing including 16 page booklet. 2019 release. Kevin Garrett twists up soulful tradition with singer-songwriter spirit, lush instrumentation, and alternative adventurousness. The Pittsburgh-born Grammy Award-nominated artist, multi-instrumentalist, and producer echoes the kind of grit meant to be smoothed out only on vinyl and emanates the ambition of a 21st century festival draw on his full-length debut, Hoax. His brand of bold and blunt soul unfolds on singles such as "In Case I Don't Feel" and "Faith You Might."
After going over 10 times platinum with his debut record, Juice WRLD is back to release his sophomore album, Death Race For Love. This album’s first two singles, “Robbery” and “Hear Me Calling”, debuted at #31 and #24 respectively on the Billboard Hot 100. Juice WRLD will perform at Coachella, followed by his highly anticipated North American headline tour.
Hot on the heels of the popular Record Store Day vinyl reissue in 2018 ~ the debut album from heavy metal pioneers, Judas Priest, returns with the classic cola bottle cover, this time as a 45th Anniversary 1st time embossed digipak collectors CD edition, with a new fold out poster!
After two Grammy nominations for Best Bluegrass Album in the past three years, Dale Ann Bradley allows her true roots to show pulling inspiration from the 60s and 70s, traditional country, and gospel music. From Jim Croce's ''Hard Way Every Time'' to Bobbie Gentry's ''Ode To Billie Joe'' to The Grateful Dead's ''Ripple'', Bradley pays homage to some of the early music that influenced her generation.
She doesn't neglect her Bluegrass and Country roots thankfully. Acoustic music is well represented in Randall Hylton's ''The Likes of You'' and ''Pretty, Dark Hearted Emma Brown'', a song dreamed up by Dale Ann's brother who she co-wrote the song with. Hot on the heals of the recent Grammy nomination by the female super group, Sister Sadie, whom Dale Ann is a part of, she hits it hard out of the gate in 2019 with another soon-to-be award winning collection of songs.
'Fountain Fire' is Bill MacKay's second solo album on Drag City. The Chicago-based guitarist's continued sonic journeys in conversation with himself follow a travel-worn map written in his own hand. Bill has followed the trail from familiar confines to unknown places, catalyzing a style equally enamored with the traditional and the avant-garde to make his most expansive and forceful music to date.