CIMS In The Groove
2018 marks the 40th Anniversary of Bob Marley & The Wailers’ KAYA. Recorded in part during Marley’s and the band’s 1977 exile in London, KAYA is very much the sibling record to EXODUS. Fittingly, as Ziggy Marley revisited the original session recordings for last year’s EXODUS 40 celebration, this year sibling Stephen Marley revisits the original session recordings to commemorate KAYA, bringing a fresh perspective to this suite that’s quietly referred to as the ‘Peace Treaty’ album.
Heavy Music: The Complete Cameo Recordings 1966-1967, will be the first time ever that all records by the celebrated Detroit group will be made available since their origination as 45rpm singles. The collection represents how stylistically, the band went beyond simple garage rock stomp and stammer formula and spread their wings lyrically and sonically in a few short years. The album is wrapped in an newly designed package, and liner notes by celebrated music writer Jim Allen, rare original photographs and label art from the Cameo Parkway vaults. The monophonic collection, originally recorded at United Sound Studios in Detroit, is mastered by Robert Vosgien at Capitol Mastering and the vinyl pressed in Detroit at Third Man Pressing. Featuring Bob Seger s earliest songwriting efforts, this release completes the digital availability of the seminal singles of the Detroit rocker s pre-stardom band.
Paul McCartney invites you on a musical journey to Egypt Station, estimated time of arrival September 7, 2018 by way of Capitol Records. Sharing a title with one of Paul’s own paintings, Egypt Station is the first full album of all-new McCartney music since 2013’s international chart-topping NEW. Preceded by two of its tracks just released as double A-sides--plaintive ballad “I Don’t Know” and raucous stomper “Come On To Me”—Egypt Station was recorded between Los Angeles, London and Sussex, and produced (with the exception of one Ryan Tedder track) by Greg Kurstin (Adele, Beck, Foo Fighters). Of the forthcoming album’s enigmatic title, Paul says, “I liked the words ‘Egypt Station.’ It reminded me of the ‘album’ albums we used to make.., Egypt Station starts off at the station on the first song and then each song is like a different station. So it gave us some idea to base all the songs around that. I think of it as a dream location that the music emanates from.” True to the inspiration behind its title, Egypt Station’s 14 songs combine to convey a unique travelogue vibe. Between the opening and closing instrumentals “Station I” and “Station II,” each song finds Paul capturing a place or moment before transporting the listener seamlessly to the next destination. Stops along the way include an acoustic meditation on present day contentedness (“Happy With You”), a timeless anthem that would fit on virtually any album of any McCartney era (“People Want Peace”), and an epic multi-movement closer clocking in at seven minutes with a song suite structure harkening back to the days of Paul’s previous combos (“Despite Repeated Warnings”). The result is a kaleidoscopic journey through myriad musical locales and eras, yet firmly rooted in the here and now--with Paul’s singular unmistakable melodic and lyrical sensibility serving as a guide.
Recorded in LA, Pasadena and Joshua Tree, With Animals is the second album by Mark Lanegan and Duke Garwood, two artists who've spent their careers stalking the peripheries and mapping sounds of the small hours. As befits a record called With Animals, these dusty songs feel like they were created in the company of the denizens of the night. Analogue and dust flecked, it's as if Lanegan and Garwood have been holed up in a '60s recording studio while the apocalypse rages outside. Over the last decade, Lanegan and Garwood have worked in tangent on 2013's Black Pudding as well as on Lanegan's solo records (2012's Blues Funeral and 2017's Gargoyle after which Garwood toured as part of Lanegan's band).
Recorded mainly in Neil Finn's Auckland studio, Lightsleeper bursts with melody and the trademark euphoric flips that are the Finn family trademarks. When Neil's iconic pop sensibility meets Liam's lo-fi atmospherics, it's produces a feeling of intimacy and awe that makes it easy to wonder why the dynamic father and son duo haven't written together sooner. The simple Finn family ethos of making music with friends and family continues right through to the personnel recruited for the album. Lightsleeper features the touring band, Sharon Finn (Neil's wife, and Liam Finn's mother) plays bass on two of the songs, Elroy Finn (Liam's brother) plays drums on seven, good friend Connan Mockasin returns for four and legendary Mick Fleetwood turns up to play on ''Anger Plays A Part'', ''Any Other Way'' and ''We Know What It Means''. The unmistakable spirit of musicians at their peak, bound together by a still-hot desire to make music that is brewed within the bones, love, quiet revelation and the perfectly-evoked euphoria of being alive is what makes Lightsleeper such a gorgeous progression in the Finn family musical history.
Thank You for Today, Death Cab for Cutie's ninth studio album, was produced and mixed by Rich Costey (Fiona Apple, Franz Ferdinand, Muse), who also produced the band's last album the GRAMMY® nominated Kintsugi. Thank You for Today marks the first Death Cab for Cutie release to see long time bandmates Gibbard, Nick Harmer, and Jason McGerr joined in the studio by new members Dave Depper (Menomena, Fruit Bats, Corin Tucker, Ray Lamontagne) and Zac Rae (My Brightest Diamond, Fiona Apple, Lana Del Rey, Gnarls Barkley). Depper and Rae have both been part of Death Cab's touring band since 2015. Death Cab for Cutie will celebrate their new album with a much anticipated fall tour. Check out the single "Gold Rush"
With a building sheath of synth and down on it groove, Lucie Silvas digs in on "Kite," the reckless kind of women who knows no fear. Pounding, pumping, thumping, this is a dance song about a woman getting gone, an admonition to a lover that shows the New Zealand/United Kingdom-grown songstress isn't afraid to throw down. Not that everything the dusty blond lifts her voice to lands that aggressive. For the irrepressible Silvas who can tempest and coo, it's about hitting the emotions bull's eye that lends an immediacy to the songs on E.G.O, the utterly independent project that follows her critically acclaimed Letters To Ghosts.
The project came together in the fall of 2017 while on tour, where Third Eye Blind has been finding joy and sanctuary by visiting local museums and galleries and booking time across the US and Europe - Ardent Studios in Memphis, a friend s house in Malibu, Hedgehog in Düsseldorf -to record songs they love. These mini recording sessions became celebrations of these artists. The idea with this EP was to amplify some of that music and art, and in doing so, catch inspiration for our next album. Proceeds from Thank You for Everything will be donated to one of their favorites, the Andy Warhol Museum in Pittsburgh. The album art is a collaboration with Queens native Uncutt ( Protect Your Heart ) and Warhol's Skull (1976). It's a visual version of what we re doing with these artist s songs. We find art or music in one place, and then we take it someplace else. In both cases, I hope it will yield renewed interest in the originals, adds Stephan.
Alice Cooper is known as one of the greatest entertainers in rock music, inspiring his audiences for over 40 years now. A Paranormal Evening At The Olympia Paris which was recorded during Alice Coopers European Tour 2017 on the 7th of December at the L Olympia in Paris gives the audience the chance the be a witness of one of these fine and legendary theatrical performances. Supported by the outstanding performance of his band, the master of shock rock takes the audience on a journey through the darkness, performing his big hits like Poison , School s Out and No More Mr. Nice Guy as well as the recent track Paranoiac Personality featured on the latest studio album Paranormal . A Paranormal Evening At The Olympia Paris is a live album full of music, murder and madness. The showman Alice Cooper himself fascinates with a passionate performance and together with his band, easily turns the whole concert into an unforgettable happening. An enthusiastic crowd and stunning guitar and drum solos underline the vibrating energy of this Paranormal Evening , caught in high quality audio. A must-have not only for Alice Cooper fans but also for everyone who loves top quality music and unique entertainment! The formats come with different front covers.
2018 release. Showcasing the essence of what Jake Shears does best, the eponymously titled solo debut from the Scissor Sisters frontman is an album brimming with anthemic choruses and lyrics about the joys and vagaries of love and sex - all of it underpinned by a swampy soul influence imparted from his newly adopted hometown New Orleans. Shears' artistic vision blossomed in the epicenter of Southern decadence, where he had headed following the Scissors hiatus in 2012. Initial ideas for the album were mapped out at the city's famed Marigny Studios before he decamped to Louisville, KY to work with producer Kevin Ratterman (Ray LaMontagne, My Morning Jacket) who recruited members of My Morning Jacket, VHS or Beta, Jim James' solo band, and Floating Action to lay down the album's foundation. With string and brass arrangements by Christian Hebel (Barbra Streisand) and Lance Horne (Alan Cumming), they returned to NOLA to capture the city's signature sound with the Preservation Hall Jazz Band and Sturgill Simpson's brass section. The result is a thrilling work that plays inside some of the hallmarks of classic American rock music and marries them with Jake's inimitable point of view, humor, and gift for unforgettable hooks.
On August 24th Interpol will release their sixth studio album Marauder on Matador Records worldwide, available on CD and vinyl. For the first time since 2007’s Our Love to Admire, Interpol have opened themselves up to the input of a producer. For two-week spells between December of 2017 to April of 2018, they travelled to upstate New York to work with Dave Fridmann – famed for recording with Mercury Rev, Flaming Lips, MGMT, Spoon, Mogwai, and countless others. In the run up to writing and recording, Sam found himself immersed in soul drummers such as Al Jackson Jr (Otis Redding’s drummer) and 80’s funk producers Jimmy Jam and Terry Lewis. “How can I make shit swing?” was the question Sam repeatedly asked himself, and the answer is in the striding gallop of opener “If You Really Love Nothing,” the embellished skip ‘n’ bounce of “Stay in Touch” and the R&B swagger of closer “It Probably Matters.” Interpol have always been world-beaters at creating a feeling, but Marauder is where the feel is just as crucial. Paul may have stepped out of the shadows as a bassist, but he’s stepping into an even brighter light as a songwriter. During Interpol’s previous albums, the singer largely kept himself out of his own work, preferring to fill his lyrics with detached thoughts, characters, and observations, often phrased in abstract. But more than 20 years on since forming at NYU, the frontman is finally allowing himself to play a role in his own stories. “This record is where I feel touching on real things that have happened to me are exciting and evocative to write about,” he explains. “I think in the past, I always felt autobiography was too small a thing for me to reference. I feel like now, I’m able to romanticize parts of my own life.” “A swift and searing song centered around a blown-out drum stomp and a prickly lead guitar riff. Singer Paul Banks’ vocals drift above the mix with a slight sneer soaked in echo.” - Rolling Stone “[The Rover] is Interpol as shit, which means ricocheting guitars and an unstoppable rhythm section.” - Noisey “Interpol are back with ignited energy.” - Stereogum “A driving and relentless bit of post-punk revivalism” - Cons. of Sound
Unstoppable is both a celebration of Staton's legacy and a bold step forward, with a sound that's funky and contemporary, but still steeped in the Southern soul and blues of her Alabama roots. Featuring an ace rhythm section made up of Staton's sons, bassist Marcel Williams and drummer Marcus Williams (Isaac Hayes, Pointer Sisters), the album reunites the singer with producer Mark Nevers (Lambchop), who helmed His Hands (2006) and Who's Hurting Now (2009), the critically acclaimed albums for London label Honest Jon's that reestablished Staton as a force to be reckoned with. But where those albums showcased Staton's skills as an interpreter of bluesy ballads, Unstoppable which Marcus Williams co-produced with Nevers is a more celebratory, uptempo set. 'It's my kind of music,' she says proudly. 'It's more of a happy record, a dancing record.'
This Night Falls Forever, set for release on August 24, 2018 via Concord Records, is DeVotchKa's most ambitious album yet with more detailed arrangements, more people involved including full orchestras and an overall bigger sound. The band's sixth studio album features 10 tracks written and produced by frontman Nick Urata.
Ever the outlaw, Jennings has now crafted what might well be his most truly idiosyncratic work thus far, SHOOTER. Produced by longtime friend and collaborator, Low Country Sound founder Dave Cobb, at the renowned RCA Studio A on Nashville's Music Row, the album sees Jennings staking out a fairly straightforward goal: to simply make a great country record. It should be noted, Jennings' last studio album was a genuinely visionary tribute to Giorgio Moroder so in some ways, making a straight up country record is as much of a left turn as anything else in his brilliantly mercurial career thus far. But with songs like "Fast Horses & Good Hideouts" or the raucous "I'm Wild & My Woman Is Crazy," Jennings more than affirms his mission by returning to country's original, if oft misplaced, mandate: singing songs about growing up and getting older, about going out and getting trashed. In short, making music for real people with real lives. With SHOOTER, Jennings truly puts his own mark on country music, living up to his extraordinary birthright with unparalleled passion, experience, and heart.
2018 release. The Other Shore is the eighth studio album from Louisville, KY-based indie Americana trailblazers Murder by Death. It's an epic space-western about a ravaged earth, it's fleeing populace, and a relationship in jepoardy. Here, the group explores untapped genres, dynamic and emotional touches, intersecting and introspective storylines, and remote edges of the galaxy. Welcome, after nearly 20 years, thousands of performances around the world, and eight albums, you've landed on your new Murder by Death. The band's name is derived from the 1976 Robert Moore film of the same name. Murder by Death released it's first studio album (Like the Exorcist, but More Breakdancing) in 2002.
Since emerging in 1997, the GRAMMY® Award-nominated multiplatinum Chicago quintet—Tom Higgenson [vocals], Tim Lopez [lead guitar, vocals], Dave Tirio [rhythm guitar], Mike Retondo [bass], and De’Mar Hamilton [drums]—has amassed an enduring, engaging, and enigmatic catalog, spanning two gold-certified offerings All That We Needed (2005) and Every Second Counts (2006) and unshakable anthems such as the double-platinum “1,2,3,4” and platinum “Rhythm of Love.” Among the discography, “Hey There Delilah” went quadruple-platinum, topped the Billboard Hot 100, and earned a pair of 2008 GRAMMY® Award nominations in the categories of “Song of the Year” and “Best Pop Performance by a Duo or Group with Vocal.” Along the way, the five-piece logged countless miles on the road in front of sold out crowds in nearly every corner of the globe. After a whirlwind tour cycle supporting 2015’s American Nights, the guys hunkered down and began writing the ideas that would eventually comprise Parallel Universe. The band’s endlessly hummable signature melodies still shine at the center of this galaxy, but their Universe morphed into an otherworldly atmosphere of ethereal electronic pop strengthened by lush guitar tones and synth transmissions.
Singer/songwriter Amos Lee says his seventh studio album My New Moon is “a dedication…it’s an offering - an altar of sorts to those who have shared their sorrows with me.” It is a product of profound human experiences; loss, grief, hope, healing, love, sorrow, and rejuvenation. Each track on My New Moon takes a journey through these intense and personal experiences. Opening track “No More Darkness, No More Light” was rewritten entirely after the school shooting in Parkland, Florida, and speaks to the hope for change that lies in amongst tragic situations and challenges. “Little Light,” written for a young girl who beat cancer, is a positive message of spreading light for the world to see, even if you’re facing hardship. “Hang On, Hang On” reflects the helplessness that comes after the loss of a loved one, “Crooked” brings to light the difficult and confusing times we’ve faced throughout history in America, and “I Get Weak” is a beautifully dark love song to something that might kill you, but you need it to go on living. The album as a whole reflects the darkness and the light that we all both experience and bring into the world, and how through these personal experiences and hard times, we grow more connected to one another.
This 37 track, 2-CD set includes artists from all genres paying tribute to one of the greatest songwriters/performers of all time. Guest artists include, Willie Nelson, Dolly Parton, Merle Haggard, Kacey Musgraves, Cake, John Goodman, Brad Paisley and many more.