Indie Exclusive Releases

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Celebrating the release of Insane Clown Posse's 15th studio album 'Fearless Fred Fury,' the band unleashes a blind box of 3" singles featuring the songs "Red Fred," "Low," "West Vernor Ave," along with the previously unreleased song "Revenge." Each record has its own individual color and every blind box comes with a collector's Insane Clown Posse poster. 
The four available editions are: 
- Low (Green Record)
- Red Fred (Red Record)
- Revenge (unreleased) (Blue Record)
- West Vernor Ave (Yellow Record)
Order 4 Insane Clown Posse 3” records and guarantee yourself all of them while supplies last!
Plays on the RSD3 mini turntable, available for sale in-store!
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Commemorating the label’s 25th anniversary, this Hopeless Records blind-box pack is a tiny sampling of their eclectic catalog and a celebration of their history. Featuring pop-punk and alt rock hits from All Time Low, Neck Deep, The Wonder Years, and Stand Atlantic, this marks the first time these songs are available on 3" vinyl. Each release includes a fold-out poster and is limited to 1,000 copies.

Here's what's available in a blind box:

- All Time Low: So Wrong It's Right
- Neck Deep: Can't Kick Up the Roots
- Stand Atlantic: Skinny Dipping
- The Wonder Years: Sister Cities

Order 4 Hopeless Records 3” blind boxes and guarantee yourself all of them! While supplies last. 

Plays on the RSD3 mini turntable, available for sale in-store!

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In 1952, Sam Phillips founded the legendary Sun Record Company and throughout the '50s changed the course of music with artists like Johnny Cash, Jerry Lee Lewis and Elvis Presley. In 1969, Shelby Singleton, a music executive who ran, with his brother John, a stable of labels in Nashville, took ownership of Sun and the Singleton family continues to guide the legacy of Sun Record Company to this day. To mark the golden anniversary of Sun Record Company's move to Nashville with the Singletons, we're happy to present this RSD3 special collection of iconic tracks from the Sun vault, sized just right for a hit of rock 'n' roll!

Johnny Cash, born J. R. Cash, (February 26, 1932 – September 12, 2003) was a Grammy Award-winning American country singer-songwriter. Cash is widely considered to be one of the most influential American musicians of the 20th century. "Cry! Cry! Cry!" was originally released in 1955 as the b-side to "Hey, Porter."

Plays on the RSD3 mini turntable, available for sale in-store!

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In 1952, Sam Phillips founded the legendary Sun Record Company and throughout the '50s changed the course of music with artists like Johnny Cash, Jerry Lee Lewis and Elvis Presley. In 1969, Shelby Singleton, a music executive who ran, with his brother John, a stable of labels in Nashville, took ownership of Sun and the Singleton family continues to guide the legacy of Sun Record Company to this day. To mark the golden anniversary of Sun Record Company's move to Nashville with the Singletons, we're happy to present this RSD3 special collection of iconic tracks from the Sun vault, sized just right for a hit of rock 'n' roll!

Roy Kelton Orbison (April 23, 1936 – December 6, 1988) was an American singer, songwriter, and musician, known for his emotive singing style, earning him nicknames like "the Caruso of Rock" and "the Big O". Orbison was signed to Sun Record Company in 1956 by Sam Phillips. "Devil Doll" was originally released in 1957 as the b-side to "Sweet And Easy To Love."

For use on the RSD3 mini turntable, available for sale in-store!

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In 1952, Sam Phillips founded the legendary Sun Record Company and throughout the '50s changed the course of music with artists like Johnny Cash, Jerry Lee Lewis and Elvis Presley. In 1969, Shelby Singleton, a music executive who ran, with his brother John, a stable of labels in Nashville, took ownership of Sun and the Singleton family continues to guide the legacy of Sun Record Company to this day. To mark the golden anniversary of Sun Record Company's move to Nashville with the Singletons, we're happy to present this RSD3 special collection of iconic tracks from the Sun vault, sized just right for a hit of rock 'n' roll!

Jerry Lee Lewis (born September 29, 1935), also known by the nickname The Killer, is an American singer, songwriter, and pianist. An early pioneer of rock and roll music, Lewis was inducted into the Rock and Roll Hall of Fame in 1986. "Great Balls of Fire" was originally released in 1957.

To be played on the RSD3 mini turntable, available for sale in-store!

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In 1952, Sam Phillips founded the legendary Sun Record Company and throughout the '50s changed the course of music with artists like Johnny Cash, Jerry Lee Lewis and Elvis Presley. In 1969, Shelby Singleton, a music executive who ran, with his brother John, a stable of labels in Nashville, took ownership of Sun and the Singleton family continues to guide the legacy of Sun Record Company to this day. To mark the golden anniversary of Sun Record Company's move to Nashville with the Singletons, we're happy to present this RSD3 special collection of iconic tracks from the Sun vault, sized just right for a hit of rock 'n' roll!

Carl Perkins (April 9, 1932 – January 19, 1998) is best known as the writer and original singer of rockabilly anthem "Blue Suede Shoes". Perkins was one of the seminal rockabilly artists on Sun Record Company, creating a body of work that has been both critically acclaimed and extremely influential. "Honey, Don’t!" was originally released in 1956 as the b-side to Blue Suede Shoes.

To be played on the RSD3 mini turntable, available for sale in-store!

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Limited edition indie exclusive with a booklet signed by the entire band!

One part invading horde and all parts traveling carnival party, Black Label Society traverses the world powered by caffeine and cacophony. BLS engages and inspires audiences everywhere they go, on every radio dial they burn, inviting all comers to join in and participate in their brotherhood and sisterhood of hard rock and vigor. Now with ten BLS studio albums deep, with solo records, Ozzy shows, and Zakk Sabbath tours all kicking ass simultaneously, Zakk Wylde rides ever forward, fist held high. ZAKK WYLDE on THIS 20th ANNIVERSARY BLEND: “The original recording back in 1997 was mastered with high volume, alcohol, and dance,” says Wylde from his home studio. “We went in and worked off the existing performances and focused on the high volume and dance while replacing the booze with viagra and anabolic steroids.”

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Grammy-nominated exploratory rock band Baroness return with their most ambitious work to date, fifth album Gold & Grey. Set for release on the band's own Abraxan Hymns, Gold & Grey spills triumphantly past genre barriers, their anthemic alt-metal hooks ricocheting between the circuitous twists of prog and jazz, the moody swirls of space-rock and noise, and the hypnotic pulses of trip-hop and 20th Century minimalism.
 
"This is the most clear representation of the artistic vision I have for the band that we've ever done," says Baroness vocalist, guitarist and founder John Dyer Baizley. "I'm surprised that we got as far with it as we did."
 
Baizley sees the diverse, adventurous album as a "lateral step" from the streamlined, immediate guitar-rock of the band's last release, Purple, championed by Rolling Stone, Pitchfork and L.A. Weekly as one of the best metal albums of 2015. Gold & Grey works like a melodic puzzle, melodies and harmonic ideas borrowed, repurposed and reinterpreted across three sides of vinyl. Lyrics are full of sonic Easter eggs; unorthodox prog is hidden inside the most accessible songs; tunes emerge from swirling chaos and dense layers of sound. The album is given color by strings, glockenspiel, tubular bells, piano, synthesizers and even field recordings of the chaos after a transformer blew up outside of the recording studio.
 
"The term I kept using was that I wanted to create something that was more kaleidoscopic than our former records," says Baizley, who embraced the wide lens and limitless journeying of artists like Pink Floyd, Neurosis, Massive Attack and Scott Walker. "We were trying to say something new with our instruments, with our sound intact, with the spirit of the band intact, but not applying the typical conventions when possible."
 
For the first time ever, there's a spotlight on Baroness' powerhouse rhythm section – driving-and-spilling drummer Sebastian Thomson (Trans Am, Publicist) and jazz-honed bassist Nick Jost. Bustling with rhythmic complexity, the band occasionally swerves into highways of math rock, post-rock, krautrock and various strains of electronic music. In addition, the band has absorbed Gina Gleason, a gifted guitarist whose résumé includes playing with Cirque du Soleil in Las Vegas and jamming with both Smashing Pumpkins and Carlos Santana. Gleason's voice harmonizes with Baizley and Jost, bringing new tone to the band.
"It's great for me to have such a full-bodied trust in the other musicians in the band because they play at such a high level," says Baizley. "I never, ever in a million years thought I'd play with musicians of that caliber and now I'm surrounded by them."
 
Like Purple, the band recorded with prismatic, Grammy-winning producer Dave Fridmann (Flaming Lips, MGMT, Mercury Rev) at his Tarbox Studios. "There were so many split second decisions and just weird ideas that got used," says Baizley. "I credit Dave for a lot of this because he was never one to say 'No, that's insane.' It was like almost the more out there the idea, the more likely he was to encourage it to be developed and grown.”
 
"We went outside, in front of Dave's studio, on one of his off days, we miked up a wooden post and hammered a nail into it," says Baizley. "There's so much hidden in there. There's also some audio samples of some of my friends. I literally did the Pink Floyd thing. I set up a little booth in my basement. I said, go down there, you got five minutes, tell me the toughest thing you want to tell me. And boy, it was tough to listen to. I pulled those quotes, effected them and they popped into one of the tracks."
 
Lyrically, Gold & Grey plumbs similar depths of emotion. On previous albums, Baizley has sung boldly and openly about his mental health and the recovery process from the traumatic bus accident the band and their crew suffered in 2012.
 
"Where Purple was me lyrically trying to work out how to adjust to a new normal, I think Gold & Grey is a more grown-up and more subtle collection of words that reflect how I am trying to deal with the longer term effects of having experienced so many terrible things," says Baizley. "There's a mental component. There's a physical component. I choose to use the band as a place where I can take all of this stress, pain, anxiety, all these realities, and make them something good."
 
Nearly 15 years since releasing their first EP, Baroness are finding a way forward by reveling in chaos.
 
"We'd listen to playback and there was a general sense of confusion," says Baizley of the Gold & Grey sessions. I couldn't figure out how Gina was making that sound. I didn't understand how the rhythm that Nick and Sebastian were playing worked with what I was doing – but it did. It was a really exciting to feel like we were maybe on the edge of just falling apart. We didn't want to know what was going on. We wanted to be always a little bit surprised by ourselves."
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On June 15th 2014, Jason Isbell reunited onstage with former Drive By Truckers bandmates Patterson Hood and Mike Cooley for a special round-style night in Muscle Shoals Music. The setlist includes acoustic versions of Isbell-era Truckers gems including “Heathens,” “Decoration Day” and “Zip City” as well as post-Isbell Truckers tracks like “Space City” and solo Isbell faves such as “Cover Me Up.” The set opens and closes with a pair of classic Hood-sung numbers, 2004′s “Tornadoes” and 2001′s “Let There Be Rock.”  

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Throughout their career, Blackberry Smoke has embodied Georgia’s rich musical legacy, honoring the people, places and sounds of their home state. As the band celebrates their 20th anniversary this year, their reverence for Georgia has only deepened.

On their latest album, You Hear Georgia, the follow-up to 2018’s critically acclaimed Find a Light, Blackberry Smoke is further celebrating these roots with 10 new songs that feel like Georgia, accented by the addition of Grammy-winning producer and fellow Georgia-native, Dave Cobb (Jason Isbell, Brandi Carlile). “Dave and I had spoken for the last few years about making a record,” Starr says. “Finally, it worked out, our schedule and his schedule, and we said, yes—let’s make a record.”

Blackberry Smoke worked quickly, spending just 10 days at Nashville’s famed RCA Studio A, Cobb’s home base since 2016. The band recorded live on the floor, giving You Hear Georgia a crisp, outgoing feel. Like other Blackberry Smoke efforts, this album leans into well-crafted Southern rock driven by jagged guitar riffs and rich instrumentation, as the band layers on rollicking piano (“Live It Down”), funky grooves (“Hey Delilah”), and introspective acoustic sounds (the stripped-down, folk-leaning “Old Enough to Know”).

The title song, “You Hear Georgia” features a narrator who’s underestimated because of outward appearances and misguided stereotypes, which is a theme of Starr’s lyrics this time around, particularly as it relates to the band’s Southern roots. “Lyrically, the song is about the South being misunderstood. It’s obviously a rough and tumble world, and there’s a lot of bad people. But there’s a lot of good people too. It started with the idea of how people might have a preconceived opinion of you because of a thick Southern accent, then expanded into the reality of how some people just seem to have such a hard time getting along, thanks to political or religious views, or simply what part of the country you come from.”

Many of You Hear Georgia’s songs describe characters that are restless and prone to seeking out a change of scenery, in hopes of finding a place where they belong. Against cinematic backdrops with vivid details, it’s easy to empathize with these protagonists as they share pearls of wisdom (“Don’t ever trust a grown man with a nickname”) and exhibit deep self-awareness (“Anywhere’s better than staying here, with the ghosts running thru his mind”) along the way.

You Hear Georgia reinforces that the band members have come so far together because they also can rely on one another for support and creative direction, no matter what the circumstances.

Blackberry Smoke - You Hear Georgia [Indie Exclusive Limited Edition Color 2LP]
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THE ICONIC GARY NUMAN is set to release his brand new album Intruder on May 21st. Intruder is Numan’s 18th solo studio album and follows 2017’s Savage: Songs From A Broken World, which became his highest charting set in almost forty years when it debuted at #2 on the Official Albums Chart. That commercial success was complemented with wide-reaching critical acclaim from Mojo, The Quietus, Rolling Stone and more. Whereas Savage depicted earth as a barren wasteland in which humanity and culture had been largely crushed by the effects of global warming, Intruder presents a fresh but complementary narrative. It’s a philosophical examination of a potential future apocalypse: the planet can only survive by purging its inhabitants. Numan explains: “‘Intruder’ looks at climate change from the planet’s point of view. If Earth could speak, and feel things the way we do, what would it say? How would it feel? The songs, for the most part, attempt to be that voice, or at least try to express what I believe the earth must feel at the moment. The planet sees us as its children now grown into callous selfishness, with a total disregard for it’s well being. It feels betrayed, hurt and ravaged. Disillusioned and heartbroken it is now fighting back. Essentially, it considers human kind to be a virus attacking the planet. Climate change is the undeniable sign of the Earth saying enough is enough, and finally doing what it needs to do to get rid of us, and explaining why it feels it has to do it.”

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The Problem of Leisure: A Celebration of Andy Gill and Gang of Four is a double album of tracks written by Andy Gill and Gang of Four - all newly reinterpreted and recorded by artists whose own unique contributions to music were enriched by listening to Gang of Four. Andy Gill died unexpectedly on February 1st, 2020, and in May 2021, the world gets a new way to enjoy his genius and the lasting brilliance of the band he co-founded. With original artwork by Damien Hirst.

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Night Beats, the Texas-born brainchild of Danny Lee Blackwell, are releasing their fifth full-length album ‘Outlaw R&B’ on May 7th via Fuzz Club. Made during the height of the California wildfires (where Danny now resides), rioting in the streets and a nation in lockdown, ‘Outlaw R&B’ deals in a psychedelic and R&B-infused garage-rock sound that’s “bathed in post-apocalyptic bliss”.  With four albums now behind them – their self-titled 2011 debut, 2013’s ‘Sonic Bloom’, 2016’s ‘Who Sold My Generation’ and 2019’s ‘Myth of A Man’ – Night Beats have garnered a reputation as one of the finest purveyors of contemporary rock’n’roll hedonism around. 

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With each new release, Elias Bender Rønnenfelt, Jakob Tvilling Pless, Jojan Surrballe Wieth and Dan Kjær Nielsen refigure the contours of a typical Iceage song. This is especially true of Seek Shelter, their fifth LP and first for Mexican Summer. Enrolling Sonic Boom (Pete Kember of Spacemen 3) to produce the record and an additional guitarist, Casper Morilla, the album sees Iceage's propulsive momentum pushing them in new, expansive, ecstatic directions, exploring a new emotional palette, replete with romantic piano balladry, invocations of patron saints, and a gospel choir.

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The Million Masks of God showcases the strength and boundary-pushing invention of Manchester Orchestra’s catalog, and is a testament to the kinship of its songwriting duo—the bond that enables them to take something so tragically personal and turn it into limitless, compassionate, communal, revelatory art.

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Even if we weren’t living through extraordinarily troubling times, there is nothing quite like a Teenage Fanclub album to assuage the mind, body and soul, and to reaffirm that all is not lost in this world.

Endless Arcade follows the band’s ninth album Here, released in 2016. It's quintessential TFC: melodies are equal parts heartwarming and heartaching; guitars chime and distort; keyboard lines mesh and spiral; harmony-coated choruses burst out like sun on a stormy day.

In the 1990s, the band crafted a magnetically heavy yet harmony-rich sound on classic albums such as Bandwagonesque and Grand Prix. This century, albums such as Shadows and Here have documented a more relaxed, less ‘teenage’ Fanclub, reflecting the band’s stage in life and state of mind, which Endless Arcade slots perfectly alongside. The album walks a beautifully poised line between melancholic and uplifting, infused with simple truths. The importance of home, community and hope is entwined with more bittersweet, sometimes darker thoughts - insecurity, anxiety, loss. 

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GRAMMY® Award nominated producer/songwriter/performer Maggie Rogers releases a special collection of archival music: Notes From The Archives: Recordings 2011-2016. The 16 track collection features newly remastered versions of tracks from Maggie’s early albums and six previously unreleased songs. Rogers’ 2019 Capitol Records debut album, Heard It In A Past Life entered Billboard’s Top Album Sales Chart at No. 1, No. 2 on the Billboard 200 and received critical acclaim. 

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The Spaceman Reissue Program edition of Lazer Guided Melodies promises to give those recordings the fullest spectrum audio and physical treatment they’ve deserved since 1992. It will be the first in this series of 180g double albums mastered from a half speed lacquer cut from original sources by Alchemy Mastering, presented in a gatefold jacket adorned by reworked art by Mark Farrow, and available in both a standard black vinyl pressing and limited edition white vinyl, as well as CD.

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On limited Translucent Purple Ripple vinyl. Here is Sweep It Into Space, the fifth new studio album cut by Dinosaur Jr.. during the 13th year of their rebirth. Originally scheduled for issue in mid 2020, this record's temporal trajectory was thwarted by the coming of the Plague. But it would take more than a mere Plague to tamp down the exquisite fury of this trio when they are fully dialed-in. And Sweep It Into Space is a masterpiece of zoned dialing. Recorded, as usual, at Amherst's Biquiteen, the sessions for Sweep It Into Space began in the late Autumn of 2019, following a West Coast/South East tour. The only extra musician used this time with Kurt Vile. Indeed, Sweep It Into Space is a very cool album. As is typical, Lou Barlow writes and sings two of the album's dozen tunes and Murph's pure-Flinstonian drumming drives the record like a go cart from Hell. Lou's songs here are as elegant as always. But there are very few moments where you wouldn't know you were hearing Dinosaur Jr. In blindfolded needle drop. They have a signature sound as sure as the Stooges or Sonic Youth or Discharge ever did. They continue to expand their personal universe with Sweep It Into Space, without ever losing their central core.

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After three years, one-million concert tickets sold across five continents, four consecutive #1 singles, a GRAMMY Award, and performances on The Tonight Show Starring Jimmy Fallon and Saturday Night Live, GRETA VAN FLEET is hurtling into the future with its second album, The Battle at Garden's Gate on Lava/Republic Records. Indie Exclusive on white vinyl.

Greta Van Fleet - The Battle At Garden's Gate [Indie Exclusive Limited Edition White 2LP]
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Cannibal Corpse will be releasing a new studio album called "Violence Unimagined" on 4/16. The title tells you everything you need to know about Cannibal Corpse's fifteenth hellish opus. Comprising eleven tracks, it is state of the art death metal played with passion and breathless precision, making for another flawless addition to what is inarguably one of the premier catalogues the genre has thrown up.

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Limited Indies Exclusive Signed Edition! Demon Records presents Distortion: 2008-2019, the third in a series of four expansive vinyl box sets chronicling the solo career of legendary American musician Bob Mould. Bob Mould's career began in 1979 with the iconic underground punk group Hüsker Dü before forming the beloved alternative rock band Sugar and releasing numerous critically acclaimed solo albums. Volume three in this new series covers the period 2008-2019 and contains many of Bob Mould's most celebrated recordings including Silver Age (2012), Patch The Sky (2016), and Sunshine Rock (2019). 7 LPs including - 6 studio albums -District Line (2008), Life And Times (2009), Silver Age (2012), Beauty & Ruin (2014), Patch The Sky (2016), and Sunshine Rock (2019). Each album is presented with brand new artwork designed by illustrator Simon Marchner and pressed on 140g clear vinyl with unique splatter effects. Bonus LP Distortion Plus: 2008-2019 which features Mould's collaborations with Foo Fighters and Butch Walker plus the 2019 single 'I Don't Mind'. Pressed on clear vinyl with an etched B-side. Mastered by Jeff Lipton and Maria Rice at Peerless Mastering in Boston. Plus a 28-page companion booklet featuring: liner notes by journalist Keith Cameron; contributions from J Mascis and Shirley Manson; lyrics and memorabilia.
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