Indie Exclusive Releases

Category Title
Quick View
Roy Orbison

Roy Orbison

Devil Doll (3 inch)

New 3" Vinyl: $9.99 Buy

In 1952, Sam Phillips founded the legendary Sun Record Company and throughout the '50s changed the course of music with artists like Johnny Cash, Jerry Lee Lewis and Elvis Presley. In 1969, Shelby Singleton, a music executive who ran, with his brother John, a stable of labels in Nashville, took ownership of Sun and the Singleton family continues to guide the legacy of Sun Record Company to this day. To mark the golden anniversary of Sun Record Company's move to Nashville with the Singletons, we're happy to present this RSD3 special collection of iconic tracks from the Sun vault, sized just right for a hit of rock 'n' roll!

Roy Kelton Orbison (April 23, 1936 – December 6, 1988) was an American singer, songwriter, and musician, known for his emotive singing style, earning him nicknames like "the Caruso of Rock" and "the Big O". Orbison was signed to Sun Record Company in 1956 by Sam Phillips. "Devil Doll" was originally released in 1957 as the b-side to "Sweet And Easy To Love."

For use on the RSD3 mini turntable, available for sale in-store!

Roy Orbison
Quick View
Jerry Lee Lewis

In 1952, Sam Phillips founded the legendary Sun Record Company and throughout the '50s changed the course of music with artists like Johnny Cash, Jerry Lee Lewis and Elvis Presley. In 1969, Shelby Singleton, a music executive who ran, with his brother John, a stable of labels in Nashville, took ownership of Sun and the Singleton family continues to guide the legacy of Sun Record Company to this day. To mark the golden anniversary of Sun Record Company's move to Nashville with the Singletons, we're happy to present this RSD3 special collection of iconic tracks from the Sun vault, sized just right for a hit of rock 'n' roll!

Jerry Lee Lewis (born September 29, 1935), also known by the nickname The Killer, is an American singer, songwriter, and pianist. An early pioneer of rock and roll music, Lewis was inducted into the Rock and Roll Hall of Fame in 1986. "Great Balls of Fire" was originally released in 1957.

To be played on the RSD3 mini turntable, available for sale in-store!

Jerry Lee Lewis
Quick View
Carl Perkins

Carl Perkins

Honey Don't! (3 inch)

New 3" Vinyl: $9.99 Buy

In 1952, Sam Phillips founded the legendary Sun Record Company and throughout the '50s changed the course of music with artists like Johnny Cash, Jerry Lee Lewis and Elvis Presley. In 1969, Shelby Singleton, a music executive who ran, with his brother John, a stable of labels in Nashville, took ownership of Sun and the Singleton family continues to guide the legacy of Sun Record Company to this day. To mark the golden anniversary of Sun Record Company's move to Nashville with the Singletons, we're happy to present this RSD3 special collection of iconic tracks from the Sun vault, sized just right for a hit of rock 'n' roll!

Carl Perkins (April 9, 1932 – January 19, 1998) is best known as the writer and original singer of rockabilly anthem "Blue Suede Shoes". Perkins was one of the seminal rockabilly artists on Sun Record Company, creating a body of work that has been both critically acclaimed and extremely influential. "Honey, Don’t!" was originally released in 1956 as the b-side to Blue Suede Shoes.

To be played on the RSD3 mini turntable, available for sale in-store!

Carl Perkins
Quick View
Baroness
Grammy-nominated exploratory rock band Baroness return with their most ambitious work to date, fifth album Gold & Grey. Set for release on the band's own Abraxan Hymns, Gold & Grey spills triumphantly past genre barriers, their anthemic alt-metal hooks ricocheting between the circuitous twists of prog and jazz, the moody swirls of space-rock and noise, and the hypnotic pulses of trip-hop and 20th Century minimalism.
 
"This is the most clear representation of the artistic vision I have for the band that we've ever done," says Baroness vocalist, guitarist and founder John Dyer Baizley. "I'm surprised that we got as far with it as we did."
 
Baizley sees the diverse, adventurous album as a "lateral step" from the streamlined, immediate guitar-rock of the band's last release, Purple, championed by Rolling Stone, Pitchfork and L.A. Weekly as one of the best metal albums of 2015. Gold & Grey works like a melodic puzzle, melodies and harmonic ideas borrowed, repurposed and reinterpreted across three sides of vinyl. Lyrics are full of sonic Easter eggs; unorthodox prog is hidden inside the most accessible songs; tunes emerge from swirling chaos and dense layers of sound. The album is given color by strings, glockenspiel, tubular bells, piano, synthesizers and even field recordings of the chaos after a transformer blew up outside of the recording studio.
 
"The term I kept using was that I wanted to create something that was more kaleidoscopic than our former records," says Baizley, who embraced the wide lens and limitless journeying of artists like Pink Floyd, Neurosis, Massive Attack and Scott Walker. "We were trying to say something new with our instruments, with our sound intact, with the spirit of the band intact, but not applying the typical conventions when possible."
 
For the first time ever, there's a spotlight on Baroness' powerhouse rhythm section – driving-and-spilling drummer Sebastian Thomson (Trans Am, Publicist) and jazz-honed bassist Nick Jost. Bustling with rhythmic complexity, the band occasionally swerves into highways of math rock, post-rock, krautrock and various strains of electronic music. In addition, the band has absorbed Gina Gleason, a gifted guitarist whose résumé includes playing with Cirque du Soleil in Las Vegas and jamming with both Smashing Pumpkins and Carlos Santana. Gleason's voice harmonizes with Baizley and Jost, bringing new tone to the band.
"It's great for me to have such a full-bodied trust in the other musicians in the band because they play at such a high level," says Baizley. "I never, ever in a million years thought I'd play with musicians of that caliber and now I'm surrounded by them."
 
Like Purple, the band recorded with prismatic, Grammy-winning producer Dave Fridmann (Flaming Lips, MGMT, Mercury Rev) at his Tarbox Studios. "There were so many split second decisions and just weird ideas that got used," says Baizley. "I credit Dave for a lot of this because he was never one to say 'No, that's insane.' It was like almost the more out there the idea, the more likely he was to encourage it to be developed and grown.”
 
"We went outside, in front of Dave's studio, on one of his off days, we miked up a wooden post and hammered a nail into it," says Baizley. "There's so much hidden in there. There's also some audio samples of some of my friends. I literally did the Pink Floyd thing. I set up a little booth in my basement. I said, go down there, you got five minutes, tell me the toughest thing you want to tell me. And boy, it was tough to listen to. I pulled those quotes, effected them and they popped into one of the tracks."
 
Lyrically, Gold & Grey plumbs similar depths of emotion. On previous albums, Baizley has sung boldly and openly about his mental health and the recovery process from the traumatic bus accident the band and their crew suffered in 2012.
 
"Where Purple was me lyrically trying to work out how to adjust to a new normal, I think Gold & Grey is a more grown-up and more subtle collection of words that reflect how I am trying to deal with the longer term effects of having experienced so many terrible things," says Baizley. "There's a mental component. There's a physical component. I choose to use the band as a place where I can take all of this stress, pain, anxiety, all these realities, and make them something good."
 
Nearly 15 years since releasing their first EP, Baroness are finding a way forward by reveling in chaos.
 
"We'd listen to playback and there was a general sense of confusion," says Baizley of the Gold & Grey sessions. I couldn't figure out how Gina was making that sound. I didn't understand how the rhythm that Nick and Sebastian were playing worked with what I was doing – but it did. It was a really exciting to feel like we were maybe on the edge of just falling apart. We didn't want to know what was going on. We wanted to be always a little bit surprised by ourselves."
Baroness
Quick View
Insane Clown Posse
Celebrating the release of Insane Clown Posse's 15th studio album 'Fearless Fred Fury,' the band unleashes a blind box of 3" singles featuring the songs "Red Fred," "Low," "West Vernor Ave," along with the previously unreleased song "Revenge." Each record has its own individual color and every blind box comes with a collector's Insane Clown Posse poster. 
The four available editions are: 
- Low (Green Record)
- Red Fred (Red Record)
- Revenge (unreleased) (Blue Record)
- West Vernor Ave (Yellow Record)
Order 4 Insane Clown Posse 3” records and guarantee yourself all of them while supplies last!
Plays on the RSD3 mini turntable, available for sale in-store!
Insane Clown Posse
Quick View
All Time Low

Commemorating the label’s 25th anniversary, this Hopeless Records blind-box pack is a tiny sampling of their eclectic catalog and a celebration of their history. Featuring pop-punk and alt rock hits from All Time Low, Neck Deep, The Wonder Years, and Stand Atlantic, this marks the first time these songs are available on 3" vinyl. Each release includes a fold-out poster and is limited to 1,000 copies.

Here's what's available in a blind box:

- All Time Low: So Wrong It's Right
- Neck Deep: Can't Kick Up the Roots
- Stand Atlantic: Skinny Dipping
- The Wonder Years: Sister Cities

Order 4 Hopeless Records 3” blind boxes and guarantee yourself all of them! While supplies last. 

Plays on the RSD3 mini turntable, available for sale in-store!

All Time Low
Quick View
Johnny Cash

In 1952, Sam Phillips founded the legendary Sun Record Company and throughout the '50s changed the course of music with artists like Johnny Cash, Jerry Lee Lewis and Elvis Presley. In 1969, Shelby Singleton, a music executive who ran, with his brother John, a stable of labels in Nashville, took ownership of Sun and the Singleton family continues to guide the legacy of Sun Record Company to this day. To mark the golden anniversary of Sun Record Company's move to Nashville with the Singletons, we're happy to present this RSD3 special collection of iconic tracks from the Sun vault, sized just right for a hit of rock 'n' roll!

Johnny Cash, born J. R. Cash, (February 26, 1932 – September 12, 2003) was a Grammy Award-winning American country singer-songwriter. Cash is widely considered to be one of the most influential American musicians of the 20th century. "Cry! Cry! Cry!" was originally released in 1955 as the b-side to "Hey, Porter."

Plays on the RSD3 mini turntable, available for sale in-store!

Johnny Cash
Quick View
PVRIS

“I allowed myself to support a narrative I thought I had to support of PVRIS being a band,” Lynn confesses. “I didn’t really have a role model for this. Coming from a ‘band culture,’ it’s about how the group is always greater than the sum of its parts, and you’re not supposed to take credit, even if you do everything. There’s no template or role model for really owning it as a woman. I wanted to make everyone else happy and uphold an image I thought we had to. Growing up, I learned I don’t have to do that anymore. I’m finally allowing myself to take credit. I’ve got the full support and encouragement of my bandmates. PVRIS is a unit and very much a team, but the heart and soul of the vision and music always has sourced from me. I’m just saying it now. I fulfilled my own vision of what a role model should be.”


Writing and recording all of 2019, she found the perfect collaborator to bring this to life in JT Daly [K. Flay]. With Lynn writing, cooking up beats, playing guitar, drums, and bass, and singing, he amplified and augmented her vision and versatility in the studio. PVRIS set the foundation for the new era with recent EP, Hallucinations, spawning lead single and title track “Hallucinations,” which clocked 10 million total streams in a few months’ time, as well as fan favorites, “Old Wounds” and “Death of Me.”

PVRIS
Quick View
Deep Purple

“Whoosh!” sees Deep Purple for the third time joining forces with producer Bob Ezrin, who invited the band to Nashville to write and record new songs. Together they created the most versatile album in their collaboration.

Deep Purple “stretched out in all directions” without any limitation, letting their creativity go. “Deep Purple is putting the Deep back into Purple” was the half-joking motto in the studio after the first songs made it clear that Ezrin and Purple were on their path to creating an album pushing the boundaries of time, while voicing their resentment about the current situation of the world and addressing all generations.

In recent years, Deep Purple has progressively moved into new areas, piquing the interest of fans who were not born when the mighty Purple machine ruled the music world. Their holy grail of “In Rock” (1970), “Machine Head” (1972) and “Made In Japan” (1973) catapulted Deep Purple to the top in concert grosses and album sales around the world, with tracks such as “Smoke On The Water” ascending them to mega-status.

The band’s 20th studio album “inFinite” has become one of their most successful albums ever, braking chart records accumulated by the hard rock legends over an impressive 50-year history.

Deep Purple
Quick View
Sammy Brue

“Music has just been a part of my life since I was very young—it's been like my football or my soccer,” says Sammy Brue. “I stopped going to school to do it. Because I thought, If I could put seven hours a day into music, imagine where it's going to take me…”

 

Imagine, indeed. Since writing his first song at the age of 11, Brue has released three homespun EPs, his New West full-length debut, I Am Nice and a 2018 EP, Down with Desperation. In the process, the Ogden, Utah native has been hailed as an “Americana prodigy” by Rolling Stone and one of the “teenagers shaping pop” by The New Yorker.

 

But these myriad accomplishments may have just been the setup for what is arguably his finest work to date, Crash Test Kid. Brue has always been an artist seemingly wise beyond his years, but on Crash Test Kid he often gets at the heart of a matter or melody with just a simple but insightful turn of phrase or cleverly-picked guitar.

Sammy Brue
View More Results: