Indie Exclusive Releases

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Johnny Cash

Johnny Cash

Cry! Cry! Cry! (3 inch)

$9.99

New 3" Vinyl: $9.99 Buy

In 1952, Sam Phillips founded the legendary Sun Record Company and throughout the '50s changed the course of music with artists like Johnny Cash, Jerry Lee Lewis and Elvis Presley. In 1969, Shelby Singleton, a music executive who ran, with his brother John, a stable of labels in Nashville, took ownership of Sun and the Singleton family continues to guide the legacy of Sun Record Company to this day. To mark the golden anniversary of Sun Record Company's move to Nashville with the Singletons, we're happy to present this RSD3 special collection of iconic tracks from the Sun vault, sized just right for a hit of rock 'n' roll!

Johnny Cash, born J. R. Cash, (February 26, 1932 – September 12, 2003) was a Grammy Award-winning American country singer-songwriter. Cash is widely considered to be one of the most influential American musicians of the 20th century. "Cry! Cry! Cry!" was originally released in 1955 as the b-side to "Hey, Porter."

Plays on the RSD3 mini turntable, available for sale in-store!

Johnny Cash
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RSD

PLEASE NOTE _ CUSTOMERS MUST CHOOSE RSD TURNTABLE SHIPPING OPTION OR ORDERS WILL CANCEL

Record Store Day and Urban Outfitters are releasing a limited edition riff on the RSD3 mini-turntable, refreshed for 2020. The RSD2020 mini-turntable is made of transparent acrylic, allowing the inner workings of the turntable to be fully visible. An RSD2020 exclusive bundle containing the RSD2020 clear mini-turntable and two 3” colored vinyl Post Malone hit singles will be available at both participating Record Store Day record stores and online at Urban Outfitters. The indie record store exclusive bundle includes “Goodbyes” and “Saint Tropez” on 3” colored vinyl. 

“SAINT-TROPEZ”A song from Post Malone’s third album Hollywood’s Bleeding was released on September 6, 2019 and hit the Billboard Top Twenty. The song was named for the French town known for the luxurious good life! (Comes on a red 3” single in the indie record store RSD2020 package.)

“GOODBYES”This single was released on July 5, 2019, a day after Post Malone’s birthday (and America’s!) Another track from Hollywood’s Bleeding, its appearance on the Billboard Rhythmic Chart made that album the first since Drake’s Scorpion to have three #1 singles on that chart. Nominated for Song of the Summer at MTV’s Video Music Awards. (Comes on a green 3” single in the indie record store RSD2020 package.)

RSD
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Black Label Society

Limited edition indie exclusive with a booklet signed by the entire band!

One part invading horde and all parts traveling carnival party, Black Label Society traverses the world powered by caffeine and cacophony. BLS engages and inspires audiences everywhere they go, on every radio dial they burn, inviting all comers to join in and participate in their brotherhood and sisterhood of hard rock and vigor. Now with ten BLS studio albums deep, with solo records, Ozzy shows, and Zakk Sabbath tours all kicking ass simultaneously, Zakk Wylde rides ever forward, fist held high. ZAKK WYLDE on THIS 20th ANNIVERSARY BLEND: “The original recording back in 1997 was mastered with high volume, alcohol, and dance,” says Wylde from his home studio. “We went in and worked off the existing performances and focused on the high volume and dance while replacing the booze with viagra and anabolic steroids.”

Black Label Society
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Roy Orbison

Roy Orbison

Devil Doll (3 inch)

$9.99

New 3" Vinyl: $9.99 Buy

In 1952, Sam Phillips founded the legendary Sun Record Company and throughout the '50s changed the course of music with artists like Johnny Cash, Jerry Lee Lewis and Elvis Presley. In 1969, Shelby Singleton, a music executive who ran, with his brother John, a stable of labels in Nashville, took ownership of Sun and the Singleton family continues to guide the legacy of Sun Record Company to this day. To mark the golden anniversary of Sun Record Company's move to Nashville with the Singletons, we're happy to present this RSD3 special collection of iconic tracks from the Sun vault, sized just right for a hit of rock 'n' roll!

Roy Kelton Orbison (April 23, 1936 – December 6, 1988) was an American singer, songwriter, and musician, known for his emotive singing style, earning him nicknames like "the Caruso of Rock" and "the Big O". Orbison was signed to Sun Record Company in 1956 by Sam Phillips. "Devil Doll" was originally released in 1957 as the b-side to "Sweet And Easy To Love."

For use on the RSD3 mini turntable, available for sale in-store!

Roy Orbison
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Metallica

S&M2, the live set from Metallica & The San Francisco Symphony is the concert event of the year! S&M2 features 20 songs (over 2.5 hours of music) from the two-night event that opened San Francisco’s new Chase Center, with many Metallica fan favorites and 2 unique classical songs chosen by San Francisco Symphony Musical Director Michael Tilson Thomas. S&M2 has newly re-mixed and remastered audio for a whole new sound from the original theatrical run in October 2019. Four marbled orange LPs with a 16-page 12x12 booklet featuring photos by Anton Cobijn. Download card included. Exclusive to independent retail and Metallica.com.

Metallica and San Francisco Symphony’s September 6 & 8, 2019 S&M2 concerts were historic on multiple levels: They served as the grand opening of San Francisco’s Chase Center, reunited the band and Symphony for the first time since the 1999 performances captured on the Grammy-winning S&M album, and featured the first-ever symphonic renditions of songs written and released since those original S&M shows.

The sold out shows were rapturously received by the 40,000 fans who traveled from nearly 70 countries, as well as the media: Rolling Stone raved “the group proved that anything was possible,” Variety noted an atmosphere “buzzing with excitement,” while the Mercury News witnessed "a concert that fans will be talking about for decades to come,” and Consequence of Sound hailed "a true celebration of Metallica and their musical prowess.”

Metallica
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Jerry Lee Lewis

In 1952, Sam Phillips founded the legendary Sun Record Company and throughout the '50s changed the course of music with artists like Johnny Cash, Jerry Lee Lewis and Elvis Presley. In 1969, Shelby Singleton, a music executive who ran, with his brother John, a stable of labels in Nashville, took ownership of Sun and the Singleton family continues to guide the legacy of Sun Record Company to this day. To mark the golden anniversary of Sun Record Company's move to Nashville with the Singletons, we're happy to present this RSD3 special collection of iconic tracks from the Sun vault, sized just right for a hit of rock 'n' roll!

Jerry Lee Lewis (born September 29, 1935), also known by the nickname The Killer, is an American singer, songwriter, and pianist. An early pioneer of rock and roll music, Lewis was inducted into the Rock and Roll Hall of Fame in 1986. "Great Balls of Fire" was originally released in 1957.

To be played on the RSD3 mini turntable, available for sale in-store!

Jerry Lee Lewis
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Carl Perkins

Carl Perkins

Honey Don't! (3 inch)

$9.99

New 3" Vinyl: $9.99 Buy

In 1952, Sam Phillips founded the legendary Sun Record Company and throughout the '50s changed the course of music with artists like Johnny Cash, Jerry Lee Lewis and Elvis Presley. In 1969, Shelby Singleton, a music executive who ran, with his brother John, a stable of labels in Nashville, took ownership of Sun and the Singleton family continues to guide the legacy of Sun Record Company to this day. To mark the golden anniversary of Sun Record Company's move to Nashville with the Singletons, we're happy to present this RSD3 special collection of iconic tracks from the Sun vault, sized just right for a hit of rock 'n' roll!

Carl Perkins (April 9, 1932 – January 19, 1998) is best known as the writer and original singer of rockabilly anthem "Blue Suede Shoes". Perkins was one of the seminal rockabilly artists on Sun Record Company, creating a body of work that has been both critically acclaimed and extremely influential. "Honey, Don’t!" was originally released in 1956 as the b-side to Blue Suede Shoes.

To be played on the RSD3 mini turntable, available for sale in-store!

Carl Perkins
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Baroness

Baroness

Gold & Grey [In-Store Exclusive]

$29.99

New Vinyl: $29.99 Buy

Grammy-nominated exploratory rock band Baroness return with their most ambitious work to date, fifth album Gold & Grey. Set for release on the band's own Abraxan Hymns, Gold & Grey spills triumphantly past genre barriers, their anthemic alt-metal hooks ricocheting between the circuitous twists of prog and jazz, the moody swirls of space-rock and noise, and the hypnotic pulses of trip-hop and 20th Century minimalism.
 
"This is the most clear representation of the artistic vision I have for the band that we've ever done," says Baroness vocalist, guitarist and founder John Dyer Baizley. "I'm surprised that we got as far with it as we did."
 
Baizley sees the diverse, adventurous album as a "lateral step" from the streamlined, immediate guitar-rock of the band's last release, Purple, championed by Rolling Stone, Pitchfork and L.A. Weekly as one of the best metal albums of 2015. Gold & Grey works like a melodic puzzle, melodies and harmonic ideas borrowed, repurposed and reinterpreted across three sides of vinyl. Lyrics are full of sonic Easter eggs; unorthodox prog is hidden inside the most accessible songs; tunes emerge from swirling chaos and dense layers of sound. The album is given color by strings, glockenspiel, tubular bells, piano, synthesizers and even field recordings of the chaos after a transformer blew up outside of the recording studio.
 
"The term I kept using was that I wanted to create something that was more kaleidoscopic than our former records," says Baizley, who embraced the wide lens and limitless journeying of artists like Pink Floyd, Neurosis, Massive Attack and Scott Walker. "We were trying to say something new with our instruments, with our sound intact, with the spirit of the band intact, but not applying the typical conventions when possible."
 
For the first time ever, there's a spotlight on Baroness' powerhouse rhythm section – driving-and-spilling drummer Sebastian Thomson (Trans Am, Publicist) and jazz-honed bassist Nick Jost. Bustling with rhythmic complexity, the band occasionally swerves into highways of math rock, post-rock, krautrock and various strains of electronic music. In addition, the band has absorbed Gina Gleason, a gifted guitarist whose résumé includes playing with Cirque du Soleil in Las Vegas and jamming with both Smashing Pumpkins and Carlos Santana. Gleason's voice harmonizes with Baizley and Jost, bringing new tone to the band.
"It's great for me to have such a full-bodied trust in the other musicians in the band because they play at such a high level," says Baizley. "I never, ever in a million years thought I'd play with musicians of that caliber and now I'm surrounded by them."
 
Like Purple, the band recorded with prismatic, Grammy-winning producer Dave Fridmann (Flaming Lips, MGMT, Mercury Rev) at his Tarbox Studios. "There were so many split second decisions and just weird ideas that got used," says Baizley. "I credit Dave for a lot of this because he was never one to say 'No, that's insane.' It was like almost the more out there the idea, the more likely he was to encourage it to be developed and grown.”
 
"We went outside, in front of Dave's studio, on one of his off days, we miked up a wooden post and hammered a nail into it," says Baizley. "There's so much hidden in there. There's also some audio samples of some of my friends. I literally did the Pink Floyd thing. I set up a little booth in my basement. I said, go down there, you got five minutes, tell me the toughest thing you want to tell me. And boy, it was tough to listen to. I pulled those quotes, effected them and they popped into one of the tracks."
 
Lyrically, Gold & Grey plumbs similar depths of emotion. On previous albums, Baizley has sung boldly and openly about his mental health and the recovery process from the traumatic bus accident the band and their crew suffered in 2012.
 
"Where Purple was me lyrically trying to work out how to adjust to a new normal, I think Gold & Grey is a more grown-up and more subtle collection of words that reflect how I am trying to deal with the longer term effects of having experienced so many terrible things," says Baizley. "There's a mental component. There's a physical component. I choose to use the band as a place where I can take all of this stress, pain, anxiety, all these realities, and make them something good."
 
Nearly 15 years since releasing their first EP, Baroness are finding a way forward by reveling in chaos.
 
"We'd listen to playback and there was a general sense of confusion," says Baizley of the Gold & Grey sessions. I couldn't figure out how Gina was making that sound. I didn't understand how the rhythm that Nick and Sebastian were playing worked with what I was doing – but it did. It was a really exciting to feel like we were maybe on the edge of just falling apart. We didn't want to know what was going on. We wanted to be always a little bit surprised by ourselves."
Baroness
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Insane Clown Posse
Celebrating the release of Insane Clown Posse's 15th studio album 'Fearless Fred Fury,' the band unleashes a blind box of 3" singles featuring the songs "Red Fred," "Low," "West Vernor Ave," along with the previously unreleased song "Revenge." Each record has its own individual color and every blind box comes with a collector's Insane Clown Posse poster. 
The four available editions are: 
- Low (Green Record)
- Red Fred (Red Record)
- Revenge (unreleased) (Blue Record)
- West Vernor Ave (Yellow Record)
Order 4 Insane Clown Posse 3” records and guarantee yourself all of them while supplies last!
Plays on the RSD3 mini turntable, available for sale in-store!
Insane Clown Posse
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All Time Low

Commemorating the label’s 25th anniversary, this Hopeless Records blind-box pack is a tiny sampling of their eclectic catalog and a celebration of their history. Featuring pop-punk and alt rock hits from All Time Low, Neck Deep, The Wonder Years, and Stand Atlantic, this marks the first time these songs are available on 3" vinyl. Each release includes a fold-out poster and is limited to 1,000 copies.

Here's what's available in a blind box:

- All Time Low: So Wrong It's Right
- Neck Deep: Can't Kick Up the Roots
- Stand Atlantic: Skinny Dipping
- The Wonder Years: Sister Cities

Order 4 Hopeless Records 3” blind boxes and guarantee yourself all of them! While supplies last. 

Plays on the RSD3 mini turntable, available for sale in-store!

All Time Low
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Black Label Society

Limited edition indie exclusive with a booklet signed by the entire band!

One part invading horde and all parts traveling carnival party, Black Label Society traverses the world powered by caffeine and cacophony. BLS engages and inspires audiences everywhere they go, on every radio dial they burn, inviting all comers to join in and participate in their brotherhood and sisterhood of hard rock and vigor. Now with ten BLS studio albums deep, with solo records, Ozzy shows, and Zakk Sabbath tours all kicking ass simultaneously, Zakk Wylde rides ever forward, fist held high. ZAKK WYLDE on THIS 20th ANNIVERSARY BLEND: “The original recording back in 1997 was mastered with high volume, alcohol, and dance,” says Wylde from his home studio. “We went in and worked off the existing performances and focused on the high volume and dance while replacing the booze with viagra and anabolic steroids.”

Black Label Society
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The Avalanches

The Avalanches’ new album, We Will Always Love You, will be released by Astralwerks on December 11. An exploration of the vibrational relationship between light, sound and spirit, The Avalanches have moved beyond the party-up exuberance of their youthful music to a tender, reflective sound infused with hard-earned life wisdom. Building  on  the  sample-based  approach  of  their  classic  albums Since I Left  You and Wildflower, We Will Always Love You is their most song-oriented album yet, made with an array of guest singers and writers. Limited Edition Indie Exclusive 180-gram Kelly Green w/ Coke Bottle Splash 2LP; includes a poster insert.

The Avalanches
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Tim Heidecker

This opaque orange Fear of Death vinyl is limited edition and only available at independent record stores.

Fear of Death is a Serious Album about Serious Topics – a doomed future, abandoning life in the city, and the inevitability of death. It’s Heidecker’s biggest sounding and most fleshed out album yet featuring an all star band comprised of Weyes Blood’s Natalie Mering (vocals and piano), Drew Erickson (Jonathan Wilson, Dawes), The Lemon Twigs’ Brian and Michael D’Addario, Jonathan Rado, and string arrangements by Spacebomb’s Trey Pollard (Foxygen, Bedouine, The Waterboys, Natalie Prass).

Tim Heidecker
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Lambchop

Single LP on coke-bottle clear with yellow swirl vinyl, includes 7.5" square "blotter paper" print in same jacket as standard edition. Full album download included.

In the fall of 2019, Lambchop’s Kurt Wagner had a unique idea: In lieu of going on what would become an economically disastrous tour, he would invite the band to Nashville to make a record as a way to provide them with similar financial support and realize something tangible in the process. Each band member was tasked with choosing one song for the band to cover, and leading the recording session to completion each day. Wagner says, “My idea was to see what might happen if I removed myself from the process as much as possible. In doing so, what surfaced would be elements that have always been there but maybe got overshadowed by my songwriting and approach.”

Recorded December 2–7, 2019, at Battletapes in Nashville, TN, and produced, engineered, and mixed by Jeremy Ferguson (with the exception of “Reservations” which was co‐mixed by Ferguson and Matthew McCaughan), TRIP sounds like a culmination of the band’s older work and current work. There’s a looseness and freedom that recalls their older sound mixed with a group sophistication and innovation derived through the process of playing together for so long. The title TRIP refers to the circumstances surrounding its creation and the endeavor of “touring” itself. “It also seems to describe a life in music and the situations we created in our life as a band over the years,” Wagner adds. “It’s been a trip…”

Lambchop
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Pylon

In the late 1970’s Athens, Georgia was buzzing with a raw but sophisticated music scene. Traditional southern rock had been the Georgia musical export for years before but the turn of the decade began producing new sounds from bands like the B-52’s, REM and Alt Rock luminaires, Pylon.

Before they were a band, Pylon were art-school students at the University of Georgia: four kids invigorated by big ideas about art and creativity and society. Pylon was less a band, however, and more of an art project, which meant they had very specific goals in mind as well as an expiration date. While their time together as a band was short lived (1979-1983), Pylon had a lasting influence on the history of rock and roll. Throughout their brief history, they were able to create influential work that would help foster the post-punk and art-rock scene of the early 80s.. Artists like R.E.M., Gang of Four, Sonic Youth, Sleater-Kinney, Interpol, Deerhunter and many more claim inspiration from the band.

In 1980 the band released its first record, Gyrate and began touring across the country in support of the release. The band would soon develop a following across the country and specifically in the bustling music scene in New York City. One of their earliest gigs was opening for the Gang of Four in the big apple. Following the critical acclaim of their debut release, Pylon went back into the studio. While in the studio they gleefully pulled their songs apart and put them back together in new shapes, revealing a band of self-proclaimed non-musicians who had transformed gradually but noticeably into real musicians. The resulting album, Chomp was barely off the press when Pylon were booked to open a run of dates for a hot new Irish band called U2 (after previously playing two arena shows with them in the month leading to the album release). Most bands would have jumped at the opportunity, but Pylon were skeptical. At a critical point in the life of Pylon, they opted to become a cult band rather than stretch their defining philosophy too far.

“We fully intended Pylon to be an almost seasonal thing that we were gonna do for a minute and then get on with our lives,” says Curtis Crowe, drummer for the band. “But it just never went away. It still doesn’t go away. There’s a new subterranean class of kids that are coming into this kind of music, and they’re just now discovering Pylon. That blows my mind. We didn’t see that coming.”

New West Records is proud to partner with Pylon to reissue Chomp and Gyrate back into the masses. Beautifully remastered from the original audio sources and pressed on vinyl for the first time in over 30 years.

Pylon
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Pylon

In the late 1970’s Athens, Georgia was buzzing with a raw but sophisticated music scene. Traditional southern rock had been the Georgia musical export for years before but the turn of the decade began producing new sounds from bands like the B-52’s, REM and Alt Rock luminaires, Pylon.

Before they were a band, Pylon were art-school students at the University of Georgia: four kids invigorated by big ideas about art and creativity and society. Pylon was less a band, however, and more of an art project, which meant they had very specific goals in mind as well as an expiration date. While their time together as a band was short lived (1979-1983), Pylon had a lasting influence on the history of rock and roll. Throughout their brief history, they were able to create influential work that would help foster the post-punk and art-rock scene of the early 80s.. Artists like R.E.M., Gang of Four, Sonic Youth, Sleater-Kinney, Interpol, Deerhunter and many more claim inspiration from the band.

In 1980 the band released its first record, Gyrate and began touring across the country in support of the release. The band would soon develop a following across the country and specifically in the bustling music scene in New York City. One of their earliest gigs was opening for the Gang of Four in the big apple. Following the critical acclaim of their debut release, Pylon went back into the studio. While in the studio they gleefully pulled their songs apart and put them back together in new shapes, revealing a band of self-proclaimed non-musicians who had transformed gradually but noticeably into real musicians. The resulting album, Chomp was barely off the press when Pylon were booked to open a run of dates for a hot new Irish band called U2 (after previously playing two arena shows with them in the month leading to the album release). Most bands would have jumped at the opportunity, but Pylon were skeptical. At a critical point in the life of Pylon, they opted to become a cult band rather than stretch their defining philosophy too far.

“We fully intended Pylon to be an almost seasonal thing that we were gonna do for a minute and then get on with our lives,” says Curtis Crowe, drummer for the band. “But it just never went away. It still doesn’t go away. There’s a new subterranean class of kids that are coming into this kind of music, and they’re just now discovering Pylon. That blows my mind. We didn’t see that coming.”

New West Records is proud to partner with Pylon to reissue Chomp and Gyrate back into the masses. Beautifully remastered from the original audio sources and pressed on vinyl for the first time in over 30 years.

Pylon
Video
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Donovan Woods

For his new album, Without People, Donovan Woods explains: “Anything but protest music feels out of place right now. In the middle of a pandemic, as the truth of our environmental devastation sinks in, in the thick of protests reshaping our thoughts on policing and crystallizing the reality of white supremacy at work in all corners of our society, it feels silly to write about relationships. I was thinking about that when the title Without People came to me. It made me think about the intrusion of real life, other people’s needs and opinions into our internal worlds. It made me think about life as a series of lessons that all seem to be about learning to cope without people you love. And it made me think about how beautiful the world could be without us, and how we’re perhaps the first generation to consider that notion as a real possibility. All in all, I think the record sounds like the times it was made in. Turbulent and lonesome.” 

Donovan Woods
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Brothers Osborne
PlayARt
Brothers Osborne are set to release their third studio album, Skeletons, in October. They are 2x CMA Award winners for Vocal Duo Of The Year and winners for the 2018 ACM New Artist of the Year. With 12 new tracks, including current hit- “All Night”. Brothers Osborne’s two previous albums Pawn Shop and Port Saint Joe produced seven singles that charted on the Hot Country Songs chart and included #1 Platinum single, “Stay A Little Longer”. White Indie LP. Packaging includes bonus vinyl slip mat.
Brothers Osborne
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PlayARt
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Mr. Bungle

US Retail Exclusive 2LP Clear with Blood Red Splatter Vinyl with Embossed Cover. Limited to 2000.

The first release from Mr. Bungle since 1999. The Raging Wrath Of The Easter Bunny Demo is a re-recording of the band's 1986 high school thrash metal demo along with songs written then, but never recorded. The record also features covers of classics by S.O.D. and Corrosion Of Conformity. This version of Mr. Bungle is original members Mike Patton, Trey Spruance and Trevor Dunn, joined by Scott Ian of Anthrax and Dave Lombardo of Slayer/Dead Cross

Mr. Bungle
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Elvis Costello

Recorded in Helsinki, Paris & NY, Hey Clockface is the latest Elvis Costello & Sebastian Krys Production, following their collaboration on Elvis Costello and The Imposters GRAMMY-winning album Look Now. Hey Clockface also features contributions from Bill Frisell, Nels Cline and Steve Nieve. “I wanted the record to be vivid, whether the songs demanded playing that was loud and jagged or intimate and beautiful,” Costello said of the project’s emotional and dynamic range. Indie Transparent Red 2LP in gatefold jacket packaging.

Elvis Costello
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The Flaming Lips
DISCLAIMER: LIMITED EDITION/EXCLUSIVE RELEASES
Orders for limited edition/exclusive releases are processed and fulfilled in the order in which they are received and are subject to inventory limitations. In most cases, we will be able to fulfill your order, but in the event we cannot, you will be fully refunded the amount charged at the time of your preorder. Thank you for your business!
The Flaming Lips
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Nothing

The Great Dismal, NOTHING’s new full-length album explores existentialist themes of isolation, extinction, and human behavior in the face of 2020’s vast wasteland. Closing in on the band’s ten-year mark, frontman Domenic Palermo finds himself stringing together songs of misanthropic tales of Philadelphia with a refined and refreshed take on NOTHING's classic sound. “The Great Dismal refers to a swamp, a brilliant natural trap where survival is custom fit to its inhabitants,” Palermo states. “The nature of its beautiful, but taxing environment and harsh conditions can’t ever really be shaken or forgotten too easily.” The ever progressive NOTHING keeps true to their chaotic outlook on life, keeping a keen eye to avoid repetition. With a radical cast of talented contributors such as harpist Mary Lattimore, classical musician Shelley Weiss, and singer/songwriter/producer Alex G., The Great Dismal showcases yet another essential side of the band’s trademark American Post-Shoegaze.

Nothing
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