This limited edition Deluxe vinyl box set features all 40 tracks from the Super Deluxe collection on three 180-gram vinyl LPs. The album’s new stereo mix LP is packaged in a faithfully replicated sleeve, with the two Sessions LPs paired in their own jacket, presented with a four-page insert in a lift-top box. Giles Martin, working with Sam Okell, from the original eight-track session tapes, was guided by the album’s original mix supervised by his father, George Martin.
Genre-bending band Whiskey Myers have played nearly 2,000 live shows since their emergence in 2008 and have sold out more than 115 headlining shows in the last year alone. As Esquire proclaims, "Whiskey Myers are the real damn deal." USA Today describes the band led by frontman Cody Cannon as "a riff-heavy blend of Southern rock and gritty country that has earned comparisons to the Allman Brothers Band and Led Zeppelin," with Rolling Stone noting "it's the seminal combination of twang and crunchy rock & roll guitars that hits a perfect sweet spot." Their most recent album, Mud, reached No. 1 on the iTunes country chart with single "Stone" hitting Top 10 all genre and their fifth studio album, which they self-produced for the first time, is set for release this fall. Whiskey Myers was featured in Paramount Network's new Kevin Costner hit show "Yellowstone" with synced songs throughout season one as well as an appearance by the band in episode four as part of the storyline, with the band set to return with additional synced songs in season two.
What happens when a nation that was born to run, and to rev engines into the wild frontier, runs into the full stop that is our current social and political climate? The answer, my friend, is somewhere “In the Morse Code of Brake Lights,” as The New Pornographers would have it on their eighth album. There’s a deep climatic unease running through these 11 tracks that’s matched only by the sheer musical glee with which the band addresses the prevailing mood of the moment. It’s an album in which foreboding and bliss somehow go hand in hand—mixing founder A.C. Newman’s nearly symphonic levels of pop arrangement and harmony with a careening quality that feels unsafe at any speed (to quote the famous Ralph Nader phrase that the opening track also borrows).
Like a personal fantasy, Tove Lo invites you close enough to see, hear, and feel the moment just before it evaporates back into the ether once more. In 2018, she officially relocated to Los Angeles and dove headfirst into creating her fourth full-length, Sunshine Kitty. It represented a new season for Tove marked by a reclamation of confidence, hard-earned wisdom, more time, and a nascent romance. It starts with the confident and catchy single “Glad He’s Gone.”
In 1964, the National Film Board of Canada asked John Coltrane to record the soundtrack for a French-language film titled “Le chat dans le sac” (“The Cat in the Bag”). In June of that year, Coltrane’s ‘Classic Quartet’ entered Rudy Van Gelder’s studio and recorded five previously-recorded Coltrane originals. For many years, viewers of the film who recognized the music thought that they were listening to the original recordings, though in fact they were new and had never been heard.
Twenty years into their career, Tegan and Sara have recorded a new album that is based on the first songs they ever wrote. Hey, I’m Just Like You – their ninth studio album overall and first since 2016’s Love You to Death – will be released on September 27 on Sire.
Hey, I’m Just Like You is a return to Tegan and Sara’s rock and punk roots, with a punch of pop production. Recorded in Vancouver, Canada in April and May 2019, the album recasts the remarkable innate songwriting talents both possessed as teenagers, and allows these previously unreleased songs to benefit from the studio expertise they have gained in the past two decades – a period that has seen them release eight studio albums, earning seven Gold certifications and one Double Platinum certification in the process. Defiant and melodramatic, the songs capture the exultation and grief of first loves, first losses, ecstatic kiss-offs, and psychedelic tributes to friendship.
Chart-topping alternative band Boy & Bear's fourth studio album Suck on Light is a triumphant return after lead singer Dave Hosking's battle with illness and eventual recovery. The album follows his excruciating journey and the beauty that came on the other side. Produced by Collin Dupuis (Lana Del Rey, Cage the Elephant, Black Keys).
Wire Mountain is Will Johnson's 6th solo album and sits atop a back catalog that includes Centro-matic, South San Gabriel, Marie/Lepanto, and Molina Johnson. When he's not writing and recording his own projects he's often contributing to others, like co-producing Austin Lucas' Immortal Americans, or playing drums in Strand of Oaks. Wire Mountain is Johnson's second album recorded with Britton Beisenherz at his Austin studio Ramble Creek Recording and together they further develop new palettes and textures for Johnson's songs, this time enlisting fellow Austinites Thor Harris (of Swans and Thor & Friends) and minimalist folk-duo Little Mazarn to help shape and define them. Britton also plays on the album, along with Austin legend Jon Dee Graham. "Cornelius" begins with a squall of feedback before giving way to acoustic guitars and an anthemic chorus that plunges into a dizzying electric guitar solo. "A Solitary Slip" is fragile folk, a lilting lullaby of finger-picked guitar, plucked banjo, and single piano notes with Little Mazarn's Lindsey Verrill mirroring Johnson's words. The last track is a hopeful instrumental, a calm before the next thing. "(You Were) Just Barely You."
Stars Are the Light, the luminous seventh album by the American psych explorers Moon Duo, marks a progression into significantly new territory. From a preoccupation with the transcendental and occult that informed Ripley Johnson and Sanae Yamada's guitar-driven psych rock, and reached it's apotheosis in the acclaimed Occult Architecture diptych, Stars Are the Light sees the band synthesize the abstract and metaphysical with the embodied and terrestrial. Says Yamada: "We have changed, the nature of our collaboration has changed, the world has changed, and we wanted the new music to reflect that." Branching out from Occult Architecture Vol. 2, the album has a sonic physicality that is at once propulsive and undulating; it puts dance at the heart of an expansive nexus that connects the body to the stars. These are songs about embodied human experience - love, change, misunderstanding, internal struggle, joy, misery, alienation, discord, harmony, celebration - rendered as a kind of dance of the self, both in relation to other selves and to the eternal dance of the cosmos. Taking disco as it's groove-oriented departure point, Stars Are the Light shimmers with elements of '70s funk and '90s rave. Johnson's signature guitar sound is at it's most languid and refined, while Yamada's synths and oneiric vocals are foregrounded to create a spacious percussiveness that invites the body to move with it's mesmeric rhythms. With Sonic Boom (Spacemen 3, Spectrum) at the mixing desk in Portugal's Serra de Sintra, (known to the Romans as "The Mountains of the Moon") the area's lush landscape and powerful lunar energies exerted a strong influence on the vibe and sonic texture of the album. On embracing disco as an inspiration, Yamada says, "It's something we hadn't referenced in our music before, but it's core concepts really align with what we were circling around as we made the album. Disco is dance music, first and foremost, and we were digging our way into the idea of this endless dance of bodies in nature. We were also very inspired by the space and community of a disco - a space of free self-expression through dance, fashion, and mode of being; where everyone was welcome, diversity was celebrated, and identity could be fluid; where the life force that animates each of us differently could flower."
Desert Dove is the new album from Michaela Anne and her first on Yep Roc Records. It was recorded in LA and produced by Sam Outlaw and Kelly Winrich (Delta Spirit). Michaela has been lauded for her timeless voice and narrative depth and this record takes that to the next level. The songwriting is confessional and unforgettable without being saccharin or self-indulgent; the tracks call to mind Michaela's diverse influences - everything from Stevie Nick's powerful voice and Fleetwood Mac's vibey arrangements to the Dixie Chick's incredible balance of conviction and catchiness - all showcasing her stellar voice and distinct vision.
Produced by Grammy Award-winning producer Dave Cobb, this newest offering by Colter Wall was recorded at Nashville's historic RCA Studio A. Wall's sound is comprised of resonate and raw baritone vocals, folk and bluegrass style guitar and banjo picking, steady kick-drum stomping, and visually provoking, story telling lyrics.
Emmy & Tony award-winner Kristin Chenoweth’s new album, For The Girls, is a heartfelt tribute to the great female singers throughout history, particularly some of Kristin’s heroes and friends. Guest artists include Ariana Grande, Dolly Parton, Jennifer Hudson and Reba McEntire. Produced by GRAMMY award-winner Steve Tyrell, the album includes Chenoweth’s personally charged interpretations of classic songs identified with such iconic artists as Barbra Streisand, Lesley Gore, Linda Ronstadt, Dinah Washington, Dolly Parton and many more.
ln 1971 John Lennon's most successful album 'lmagine' was released. The title track has become one of the most iconic Lennon songs. The underlying message of the song and the album however was one of radical engagement and is as relevant today as ever. This film reveals the depth of the creative collaboration between John and Yoko and examines how the art, politics and music of the pair are intrinsically entwined. Bonus features: studio sessions, interviews. Documentary + Bonus Features: 1. How Do You Sleep? (Takes 5&6, Raw Studio Mix) 2. Oh My Love (Raw Studio Mix) 3. Oh Yoko! (Bahamas 1969) 4. Conversation with Curt Claudio BluRay Edition.
Ken Burns s eight-part, 16-hour documentary series, COUNTRY MUSIC, chronicles the history of a uniquely American art form, focusing on the biographies of the fascinating characters who created it. The film follows the evolution of country music from its diverse and humble origins as it emerged, by the end of the twentieth century, into a worldwide phenomenon.
KORN vocalist Jonathan Davis elaborated on the forthcoming LP: “Deep, within our Earth lives an extraordinary force. Very few are aware of the magnitude and significance of this place where good/evil, dark/light, bliss/torment,loss/gain and hope/despair all existas one- pulling at us every moment of our lives.It’s not something we can choose to navigate, but rather anawarenessof this ‘presence’ that surrounds us with every breath, as if we are being watched at every moment. It’s the place whereblack and white energiesattach themselves to our souls, and shape our emotion, choices, perspective and ultimately our very existence. There is amiraculous and small realm within this vortex and it’sthe only place where balance between these dynamic and polarizing forces exists-where the soul finds its refuge. Welcome to…..THE NOTHING.”KProduced by GRAMMY® Award-winner Nick Raskulinecz, THE NOTHING follows the band’s acclaimed 2016 LP, THE SERENITY OF SUFFERING, which debuted at #4 on the “Billboard 200,” #1 on both the “Top Rock Albums” and “Hard Rock Albums” charts, #3 on the “Current Albums chart,” and includes the GRAMMY® Award-nominated single “Rotting In Vain.”
Two-time GRAMMY-nominated band The Lumineers are back with their third album, III, a cinematic piece presented as a narrative in three chapters, with each one centering on one main character. III’s concept began while the band was writing in the Catskill mountains, where producer Simone Felice works. Decidedly darker than their previous work in concept, but replete with their trademark expressive vocals and dynamic arrangements, III boldly and expertly goes in an artistic direction not yet traveled by the band. The Lumineers have enjoyed substantial commercial success; their 2012 self-titled debut featuring the hit single “Ho Hey” was certified triple-platinum in 2018, and their sophomore album Cleopatra was certified platinum in the same year after its 2016 release. They’ve had multiple #1 hits on the Triple A and Alternative radio charts, and have sold out tours across the world; over 300,000 tickets were sold on 2017’s Cleopatra world tour. The Lumineers have also supported icons and their musical heroes on the road, including Tom Petty and the Heartbreakers and U2’s Joshua Tree tour.
The last album was called The Rise of Hobo Johnson, and it really lived up to its name. Self-produced, self-recorded, and originally self-released in late 2017, it powered a breakout year that most musicians can only dream of, beginning with the backyard performance of “Peach Scone” that brought Hobo Johnson (née Frank Lopes Jr.) YouTube viewers by the millions, and ending with a huge, intensely devoted fan base early, anticipating his next move.
That next move is called The Fall of Hobo Johnson, which is (Frank hopes) more of a metaphorical title. It’s about all of the things that Frank (the person) has gone through while Hobo Johnson (the persona) has been blowing up. Namely, a lot of falling: falling in love, falling out of it, and falling apart when it was over.
Ma is a dedication to motherhood.The title of the album comes from the realization that the word 'Ma' is a very good candidate for our first utterance and our very last whisper, the word itself means 'Mother' in countless languages. The record contains 3 parallel narratives all pointing back to motherhood. The first is one of loss and helplessness, the narrative of a mother who reluctantly had to put up her child for adoption, still loving them, but unable to be with them. This became a metaphor for my own personal experience of observing my family in Venezuela, not being able to help in any meaningful way, and the constant feeling of complete helplessness. The second narrative is everything I would ever say to the children I may or may not have. The third narrative is one of celebration, of recognizing the Mother in each being, and of gratitude for music and its mothering qualities.
Ma was recorded in Big Sur and Los Angeles, CA and was produced, arranged, and recorded with my longtime collaborator Noah Georgeson. It features appearances by many, including Cate Le Bon and Vashti Bunyan, the archetype of a mother. It will be out September 13, 2019.-Devendra Banhart
Coming September 13th: Brand new recordings from Glasgow’s finest, Belle and Sebastian. Is releasing a soundtrack a different prospect from releasing a regular album? Would a Belle and Sebastian fan notice the difference if they didn’t know? “Everything we do that becomes an album is a big deal for us,” says Murdoch. “We’re quietly pleased with how the collaboration went, but the truth is that you don’t know what’s going to hap- pen when it goes out into the world, and people hear it.” Martin thinks it is slightly different from other records they’ve put out. “It’s more consistent, probably, than most of our albums. Soundtracks are a deeper cut. They’re not a big pop statement.” But is making music for film that different than making it for a listener? “The whole thing with music is to make a good moment better,” Murdoch says. “Deeper, more thrilling, more heartfelt.” Days of the Bagnold Summer is the latest outside- the-box accomplishment from storied Glasgow 6-piece Belle and Sebastian, comprised of Stuart Murdoch, Stevie Jackson, Sarah Martin, Chris Geddes, Richard Colburn, Dave McGowan, and Bobby Kildea. The last two years have seen them go against conventional practice by releasing a trilogy of EPs to some of the best reviews of their career, and launch and curate their own four-day music festival at sea in The Boaty Weekender, continuing the individualist streak that has characterized them from day one.
"If you write the truth and you're writing about your life, it's going to be country. It'll be country 'cause you're writing what's happening. And that's all a good song is." Loretta Lynn COUNTRY MUSIC, the eight-part, 16-hour film by Ken Burns, chronicles the creation of a truly American genre of music through the songs and stories of its greatest trailblazers. Country Music A Film By Ken Burns (The Soundtrack) includes 29 timeless classics as heard in the film on 2 LPs, including songs by The Carter Family, Jimmie Rodgers, Bob Wills, Hank Williams, Johnny Cash, Loretta Lynn, Charley Pride, Willie Nelson, Dolly Parton and many more.
Attempting to designate a musical category for Geraint Watkins is not without its challenges, but the perspicacious Nick Lowe once observed that he could be filed as "the missing link between Paulo Conte and Howlin' Wolf."
For so many years, a keystone of the bands of Nick Lowe, Van Morrison, Bill Wyman's Rhythm Kings, Dave Edmunds and countless more, Geraint Watkins is also a revered creator of his own sublime music, much of which has already been perfectly captured in a handful of solo albums.
For Rush Of Blood, Watkins found a new and unlikely collaborator in Simon Ratcliffe of The Basement Jaxx to push his boundaries even further. This unique aggregation-aided by some master musicians-has produced what will surely come to be regarded as his finest solo project yet.
Tiny Moving Parts has always been a vehicle for catharsis, and that's nothing new on breathe. The fifth full-length by the Benson, Minnesota, trio sees vocalist/guitarist Dylan Mattheisen and his cousins, brothers Matt (bass) and Billy (drums) Chevalier, tackle issues such as mental health, anxiety and mortality while also expanding their sound. Recorded with longtime collaborator Greg Lindholm and established pop producer John Fields (Jimmy Eat World, Goo Goo Dolls, All Time Low), breathe is a valuable reminded that we're all in this together, channeled through the band's trademark blend of math-rock, pop-punk and emo, albeit with a few new musical tricks (including some electronic flourishes and a banjo). More than just a collection of songs, breathe serves as an important emotional crutch. It's the friend we all need at our darkest times. It's the sound of a band coming to terms with their own mortality, their own anxieties, their own self-doubts. And it's a reminder that, as long as there are songs sung back as if our lives depend on them, we are never alone.
Ty Herndon is a master of the ties that bind. The Grammy-nominated and Dove award-winning recording artist has the ability to connect with an audience far beyond his onstage performance. More than 20 years into his career, Herndon has a passion and commitment to his music that continues to play out in his lyrics. "If I haven't lived it, I haven't sung it" as Herndon says. Having a career spanning two decades, 20 Billboard charted singles and five million albums sold, Herndon sees no signs of slowing down. For those who know him, his passion and commitment to music is not surprising. He continuously performs shows and withholds a heavy appearance schedule; proving Herndon as unstoppable.Herndon is gearing up for the release of a new album, titled Got It Covered. The 10-track album, released through BFD/The Orchard, is a compilation album featuring reimagined hits and covers of some of Herndon's most favorite songs. In addition, an alternative version of his 1995 debut single and his first Number One, "What Mattered Most," is also on the highly-anticipated new release.
Released ahead of 1995's The Gold Experience, the first album credited to Prince's infamously unpronounceable symbol, The VERSACE Experience (PRELUDE 2 GOLD) was a gift to attendees of the designer's collection at Fashion Week in Paris. Produced at the time as only a very limited edition promotional cassette, it featured remixed versions of future favorites ""Pussy Control,"" ""Gold"" and ""Eye Hate U"" as well as rare and commercially unreleased selections by The New Power Generation and Prince's jazz-fusion project Madhouse. The rare promotional cassette went on to be incredibly sought after, with one copy setting a record as the highest priced cassette ever sold, fetching over $4,000.
Emancipation was as expansive an album as anything Prince had ever release. A triple album constituting exactly three hours of music, Emancipation found Prince celebrating the release of music solely on his terms. ""This is my most important record,"" he proclaimed upon its release. ""I'm free, and my music is free."" Much like Paisley Park, the recording complex in which Prince created Emancipation, the album represents the incredible variety of his influences and moods. Romance and family are key themes (""Somebody's Somebody,"" ""The Holy River,"" ""The Love We Make""), reflecting his recent marriage to back-up dancer and muse Mayte Garcia that year. Elsewhere, Prince reflects on technology (""My Computer"") and sex (""In This Bed <0> Scream""), and offers new, upbeat grooves (""Face Down,"" ""Jam Of The Year"") as well as four unique covers (Bonnie Raitt's ""I Can't Make You Love Me,"" the Philly soul classics ""Betcha By Golly Wow"" and ""La, La, La Means I Love U,"" Joan Osborne's then-recent rock hit ""One Of Us"").
Released in July 1996, Chaos and Disorder came with a rare disclaimed penned by Prince (then known as the unpronounceable love symbol): Originally intended 4 private use only, this compilation serves as the last original material recorded by [The Artist] 4 Warner Bros. Records. Princes contentious relationship with the label was at its lowest point, and this recorda taut 39 minutes of dexterous guitar and simple but addictive pop melodieswas a crucial final link in the chains that kept him from releasing the music the way he wanted. Any internal turmoil was not represented in tracks like Dinner With Delores (a minor U.K. hit) and the rollicking title track, a staple of his live shows. Someone told me that Van Halen did their first record in a week, Prince told the Los Angeles Times of the albums quick creation. Thats what we were going forspontaneity, seeing how fast and hard we could thrash it out.
The concept of STARSET is a multimedia experience with a cinematic rock band at the center. The narrative, branding and music driving the new campaign is fully integrated and is set in a near future and centered around showcasing the positive and negative effects of technology on society - futuristic on one side, post-apocalyptic on the other. Think Tron meets Mad Max. They’re harnessing the power of their rabid core fan base and influencer supporters to hack traditional forms of music promotion and do something truly innovative, as appealing for the Comicon crowd wanting to deep dive into the story as casual listeners.
At first listen, The Practice of Love, Jenny Hval's seventh full-length album, unspools with an almost deceptive ease. Across eight tracks, filled with arpeggiated synth washes and the kind of lilting beats that might have drifted, loose and unmoored, from some forgotten mid-'90s trance single, The Practice of Love feels, first and foremost, compellingly humane. Given the horror and viscera of her previous album, 2016's Blood Bitch, The Practice of Love is almost subversive in it's gentleness-a deep dive into what it means to grow older, to question one's relationship to the earth and one's self, and to hold a magnifying glass over the notion of what intimacy can mean. As Hval describes it, the album charts it's own particular geography, a landscape in which multiple voices engage and disperse, and the question of connectedness-or lack thereof-hangs suspended in the architecture of every song. It is an album about "seeing things from above-almost like looking straight down into the ground, all of these vibrant forest landscapes, the type of nature where you might find a porn magazine at a certain place in the woods and everyone would know where it was, but even that would just become rotting paper, eventually melting into the ground." Prompted by an urge to find a different kind of language to express what she was feeling, the songs on Love unfurl like an interior dialogue involving several voices. Friends and collaborators Vivian Wang, Laura Jean Englert, and Felicia Atkinson surface on various tracks, via contributed vocals or through bits of recorded conversation, which further posits the record itself as a kind of ongoing discourse. "The last thing I wrote, which was my new book, had quite an angry voice," says Hval, "The voice of an angry teenager, furious at the hierarchies. Perhaps this album rediscovers that same voice 20 years later. Not so angry anymore, but still feeling apart from the mainstream, trying to find their place and their community. With that voice, I wanted to push my writing practice further, writing something that was multilayered, a community of voices, stories about both myself and others simultaneously, or about someone's place in the world and within art history at the same time. I wanted to develop this new multi-tracked writing voice and take it to a positive, beautiful pop song place... A place which also sounds like a huge pile of earth that I'm about to bury my coffin in."
There is a core element to Chelsea Wolfes musica kind of urgent spin on Americas desolation blues thats existed throughout the entirety of her career. Wolfe has always been a conduit for a powerful energy, and while she has demonstrated a capacity to channel that somber beauty into a variety of forms, her gift as a songwriter is never more apparent than when she strips her songs down to a few key components. As a result, her solemn majesty and ominous elegance are more potent than ever on Birth of Violence. The songs stem from humble beginnings little more than Wolfes voice and her Taylor acoustic guitar. Her longtime musical collaborator Ben Chisholm recorded the songs in their own studio and helped fill them out with his modern production treatments and auxiliary flourishes from ongoing contributors Jess Gowrie (drums) and Ezra Buchla (viola). Every Chelsea Wolfe album introduces new unorthodox textures and approaches, and the trajectory of her creative arc has generally aimed for larger and more imposing sounds, but Birth of Violence deliberately alters that course in favor of a more intimate atmosphere. The result yields Wolfes most devastating work to date.
Pang! is a futuristic psychedelic world pop album, a cross-cultural collaboration between Welsh musician and Super Furry Animals frontman Gruff Rhys and South African electronic producer Muzi. Having met while recording the track “Vessels” for Damon Albarn’s world music collective Africa Express, Rhys and Muzi decided to continue working on transcontinental music projects together, first on a remix of Rhys’ song “Bae Bae Bae” and eventually on a Gruff Rhys solo album recorded in Wales and produced and mixed by Muzi in both Cardiff and Johannesburg which, at Muzi’s request, consists of Welsh-language songs (with bits in Zulu). As Rhys recalls, “Sometimes like on Eli Haul, [Muzi] would leave songs alone - often simplifying them further. On occasion he would jump to the mic and join in with some vocals. Some songs he would take a loop of a particularly interesting section, build a beat and rework the song from scratch, and by the song Ôl Bys / Nodau Clust - which we mixed by coincidence following a conversation about Daft Punk and industrial music - Muzi completely takes over, scrapping my bad bossa guitars, only retaining the original’s vocals. In that sense it’s a kind of remix album where adventure is favoured over predictability and where the radical remixes are the finished articles. Pang!” Rhys also drew inspiration for Pang! from a trip to Paisley Park on a tour for his 2018 solo record Babelsberg:“visiting the gloss of Prince’s democratic music palace confirmed in me that my move into day-glo processed pop with this record was justified and in particular, albums like Around the World in a Day (and in particular the title track) became a reference point for attempting to make psychedelically joyful, internationalist and deeply personal digital pop music.”
THE GLORIOUS SONS announce their incisive new album ‘A War On Everything’ - out September 13th on BMG/Black Box - a daring 14-track collection of stadium-ready, “dirty, sweaty rock” (Alternative Press)rife with devastating moments of vulnerability and searing insight into universal truths about anxiety, sadness and isolation in the 21st century.
Produced by Frederik Thaae (Kate Nash, Atlas Genius) and recorded at North of Princess studios in the group’s hometown of Kingston, ON,‘A War On Everything’ marks the start of a new chapter for a band who in 2019 alone landed their first Billboard #1, played massive shows withThe Rolling Stones and Twenty-One Pilots, and toured with The Struts- and that’s just the beginning.
Loudwire named THE GLORIOUS SONS an up-and-coming rock band“you need to hear,” and Billboard has praised the band’s “infectious energy.” Their most recent single “Panic Attack” is currently #1 on theCanadian Active Rock and in the Top 15 at US Active Rock.
Nashville-based performer Jeremy Ivey has operated in the background for years, initially performing in bands like Secret Handshake and country-soul group Buffalo Clover with his wife, celebrated country-rock luminary Margo Price. But now Ivey is ready to take a much-deserved step into the spotlight with a debut LP, The Dream and the Dreamer via Anti- Records). Recorded in a “little bitty house studio” in Nashville and produced by Price, the nine-song album hosts a collection of homespun, deeply introspective tracks. Ivey, who writes prolifically and cites everyone from the Beatles to Neil Young to Leonard Cohen and Bob Dylan as influences. Unlike his country-soul aesthetic in Buffalo Clover, which disbanded in 2013, Ivey’s solo material is much more straightforward yet still travels through a wide spectrum of classic folk, gently frayed psychedelia, pop, and yes, even a bit of Southern rock and Americana. Ivey is invested in his own version of the American Dream—specifically, offering up a melting pot of genres, ideas, and stories. “The best thing I could say is that I’m trying to fill the holes that I can see in the scene,” he says. “Whether it be Americana or country or rock or whatever. There’s a certain type of song that isn’t being written.”
Jack Malik was just another struggling songwriter... but that was yesterday. After a mysterious blackout, Jack (Himesh Patel) discovers he is the only person on earth who remembers The Beatles! As he rockets to fame by passing off the Fab Four's songs as his own, Jack risks losing Ellie (Lily James) – the one person who has loved him and believed in him from the start. Before the door to his old life closes forever, Jack must decide if all he needs is love, after all. Kate McKinnon and Ed Sheeran also star in this romantic rock 'n' roll comedy from Academy Award-winning director Danny Boyle and Academy Award-nominated screenwriter Richard Curtis.
BluRay+2CD Edition. Slash Featuring Myles Kennedy and the Conspirators - Living the Dream Tour captures the band's incendiary performance on their sold-out 2019 tour, in front of a rabid crowd at London's legendary Hammersmith Apollo, roaring through a highly charged 2-hour set of tracks from all four Slash solo albums. Slash tears up Hammersmith Apollo with staggering solos while dropping giant slabs of riffs with casual ease, delivering the essence of rock 'n' roll in this show. BONUS FEATURE: Live in London - Behind the Scenes
“Shaft” is the next chapter in the film franchise featuring the coolest private eye on any New York City block. JJ, aka John Shaft Jr. (Usher), may be a cyber security expert with a degree from MIT, but to uncover the truth behind his best friend’s untimely death, he needs an education only his dad can provide. Absent throughout JJ’s youth, the legendary locked-and-loaded John Shaft (Jackson) agrees to help his progeny navigate Harlem’s heroin-infested underbelly. And while JJ’s own FBI analyst’s badge may clash with his dad’s trademark leather coat, there’s no denying family. Besides, Shaft’s got an agenda of his own, and a score to settle that’s professional and personal.
Following the events of Avengers: Endgame, Peter Parker (Tom Holland) returns in Spider-Man: Far From Home. Our friendly neighborhood Super Hero decides to join his best friends Ned, MJ, and the rest of the gang on a European vacation. However, Peter’s plan to leave super heroics behind for a few weeks is quickly scrapped when he begrudgingly agrees to help Nick Fury (Samuel L. Jackson) uncover the mystery of several elemental creature attacks. Spider-Man and Mysterio (Jake Gyllenhaal) join forces to fight the havoc unleashed across the continent but all is not as it seems.
Ode to Joy - the 11th studio album from the pioneering Chicago rock band Wilco - will be released Oct. 4 via dBpm Records. The album features 11 new songs written and produced by Jeff Tweedy and recorded by Wilco at the bands' own Chicago studio dubbed The Loft.
The Avett Brothers have announced a new album called Closer Than Together. The band’s tenth full-length to date arrives October 4th via American/Republic Records.
In a lengthy mission statement announcing the album’s release, Seth Avett said the band “didn’t make a record that was meant to comment on the sociopolitical landscape that we live in. We did, however, make an album that is obviously informed by what is happening now on a grander scale all around us… because we are a part of it and it is a part of us. Closer Than Together is a record of obvious American origin – a creation that fittingly could only come about through hard work, measured freedom, awe-inspiring landscapes, and perfectly flawed individualism.
“The Avett Brothers will probably never make a sociopolitical record,” Avett added. “But if we did, it might sound something like this.”
The descent into darkness is a trope we find time again across history, literature and film. But there's also an abyss above. There's a winding white staircase that goes ever upward into the great unknown - each step, each turn, requiring a greater boldness and confidence than the one before. This is the journey on which we find Angel Olsen. Olsen's artistic beginnings as a collaborator shifted seamlessly to her magnificent, cryptic-to-cosmic solo work, and then she formed bands to play her songs, and her stages and audiences grew exponentially. But all along, Olsen was more concerned with a different kind of path, and on her vulnerable, Big Mood new album, All Mirrors, we can see her taking an introspective deep dive towards internal destinations and revelations. In the process of making this album, she found a new sound and voice, a blast of fury mixed with hard won self-acceptance. "In every way -from the making of it, to the words, to how I feel moving forward- this record is about owning up to your darkest side," Olsen said. "Finding the capacity for new love and trusting change, even when you feel like a stranger. This is a record about facing yourself and learning to forgive what you see. It is about losing empathy, trust, love for destructive people. It is about walking away from the noise and realizing that you can have solitude and peace in your own thoughts, that your thoughts alone can be just as valid, if not more."
Philadelphia-based punk band, The Menzingers are set to release their sixth studio album, Hello Exile. Produced by Will Yip (Title Fight, Quicksand), the album is the follow-up to the band’s 2017 critically acclaimed release After The Party.
Since forming as teenagers in 2006, The Menzingers have shown their strength as rough-and-tumble storytellers, turning out songs equally rooted in frenetic energy and lifelike detail. On their new album Hello Exile, the band take their lyrical narrative to a whole new level and share their reflections on moments from the past and present: high-school hellraising, troubled relationships, aging and alcohol and political ennui. And while their songs often reveal certain painful truths, Hello Exile ultimately maintains the irre- pressible spirit that’s always defined the band.
The Menzingers are: singer/guitarists Greg Barnett and Tom May, bassist Eric Keen, and drummer Joe Godino.
'A forgotten roll of film was found. Shot before the turn of the century, the photographs resonate with music. The images inspired an accompanying soundtrack. The music is full of stories. The songs and stories originate in two neighboring rural counties. The cast of characters includes four families of Mississippi musicians, three generations deep, and a photographer from Texas.' - Luther Dickinson In 2017, Wyatt McSpadden found an old roll of film and tracked down members of North Mississippi Allstars to share his forgotten photographs. The images were so profound and so beautiful that they would come to inspire the latest recording, Up And Rolling. The images inspired the band to ask, 'What did the music sound like that night in 96? What does Mississippi music sound like now? What would ideally be on the push button AM/FM radio as we drove thru the hills?' The North Mississippi Allstars would return to the famous Zebra Ranch to record Up And Rolling, inspired by Wyatt's images. They gathered together, trimmed back the wisteria, and swept out the converted barn recording studio. The fired up the tube amps and old computers and began conjuring up modern Mississippi music, ancient and futuristic all at once. Telling it how it was and how they think it should be. Up And Rolling is modern Mississippi. Transcending time and space, the music reaches out into the dark of night like the wisteria vine, looking for free hearted souls to latch onto and wedge into the foundation of hate, slowly tearing down walls a generation at a time.
Pop futurist Charli XCX has returned with her highly anticipated third studio album Charli. The album is a collection of 15 songs and feature the hit singles "1999 (Ft. Troye Sivan)" and "Blame It On Your Love (Ft. Lizzo)." The album also features collaborations with Christine and the Queens, Haim, Sky Ferreria, Big Freida, Clairo and more!
The music Kacy and Clayton make is inextricable from where they grew up. They sing about the kind of people you'd find in Wood Mountain, Saskatchewan (population very few.) The hills, barns and remoteness of the area are in these songs, with a bittersweet acknowledgement that this music has taken them far from home. Carrying On follows the international acclaim for their previous records Strange Country (which Q magazine called, A beautiful album that nudges a classic past into a brave future.) and 2017's The Sirens Song (described by Uncut as Ageless and beguiling. A classic record for this or any other time.) Their sound is equal parts homespun, coming from a family and community where playing music is an ever present part of social gatherings, and the rare country, blues and English folk rock these second cousins obsess over and collect. For Carrying On, Clayton cites as influences: Bobbie Gentry's Delta Sweete, Hoyt Axton's My Griffin Is Gone, Cajun fiddle music, and the steel guitar of Ralph Mooney who played on many of the records that defined the Bakersfield country music scene of the 1950s. Sixties psych has also woven its way into these new songs Having toured almost nonstop for the last two years, Carrying On was conceived and honed on the road and recorded immediately after a jaunt across Western Canada, the songs having been tried and tested before audiences each night. The album was produced once again by Jeff Tweedy of Wilco and Uncle Tupelo fame, at his Loft studio in Chicago.
Beloved singer-songwriter Joshua Radin returns with his new album "Here, Right Now" produced by Tony Berg (Phoebe Bridgers, Andrew Bird) proving once again that love and the complications surrounding it to be his songwriting forté.
Ill Communication is the fourth studio album by the Beastie Boys. It was released on May 31, 1994 by Grand Royal Records. Co-produced by Beastie Boys and Mario C and featuring the singles Sabotage, Get It Together, Sure Shot, and Root Down. Pressed on Limited Edition 180-Gram Silver Metallic vinyl.
Paul's Boutique is the second studio album from the Beastie Boys. Released on July 25, 1989, on Capitol Records, it was produced by the Dust Brothers and features the singles Hey Ladies and Shadrach. Pressed on Limited Edition 180-Gram Translucent Violet vinyl and spread across 2LP’s for the first time ever.
To the 5 Boroughs is the sixth studio album by the Beastie Boys. The album was released on June 15, 2004 internationally, and debuted #1 on the Billboard 200. Featuring the singles Ch-Check It Out, Triple Trouble, Right Right Now Now, and An Open Letter To NYC. Pressed on Limited Edition 180-Gram Blue Vinyl.
Acclaimed guitarist Bill Frisell has signed with Blue Note and will release his debut album for the label under his own name with HARMONY, a gorgeous and evocative journey across the landscape of American music of the last century. The album features vocalist Petra Haden, cellist & vocalist Hank Roberts, and guitarist, bassist & vocalist Luke Bergman.
'May Your Kindness Remain' is Courtney Marie Andrews statement piece. It is the follow up album to Courtney Marie Andrews critically acclaimed 2016 album Honest Life, which made Rolling Stone's list of the "Top 40 Country Albums of 2016" and was The Bluegrass Situation's Album of the Year. She even appeared on an episode of 'Later…with Jools Holland.” She has toured with The Head & The Heart, Big Thief, Hamilton Leithauser and more.
Pixar Animation Studios proudly presents the adventure of a lifetime! When Woody, Buzz and the gang join Bonnie on a road trip with her new craft-project-turned-toy, Forky, the innocent little spork's hilarious antics launch Woody on a wild quest filled with unexpected new characters -- and one long-lost friend! A soaring masterpiece stuffed with spectacular animation, humor and heart, "TOY STORY 4 will blow you away" (Kenneth Turan, Los Angeles Times).
Determined to keep Annabelle from wreaking more havoc, demonologists Ed and Lorraine Warren bring the possessed doll to the locked artifacts room in their home, placing her “safely” behind sacred glass and enlisting a priest’s holy blessing. But an unholy night of horror awaits as Annabelle awakens the evil spirits in the room, who all set their sights on a new target—the Warrens’ ten year- old daughter, Judy, and her friends.
Composed and assembled over the course of several years, Jaime is a highly personal album release combining Brittany’s unmistakable voice with peerless, visionary and fearless songwriting. Brittany has constructed an assemblage of songs which bend the framework of what we know from her previous work with Alabama Shakes and endeavors with Thunderbitch and Bermuda Triangle, music which wholly sits in a new terrain of sound bolstered by an incredible band of musicians including Zac Cockrell of the Shakes, drummer Nate Smith and the one and only Robert Glasper.
NINE is the new album from Grammy nominated California rock heavyweights, blink-182. The album features soon to be classics “Darkside,” “Happy Days,” “Generational Divide,” “Blame It On My Youth,” and others.
blink-182 is Mark Hoppus (vocals/bass), Travis Barker (drums) and Matt Skiba (vocals/guitar). Since their humble beginnings in 1992 in San Diego, blink-182 have sold over fifty million albums worldwide and rocked audiences around the globe, becoming one of the defining and inspirational rock bands of their generation.
‘Why Me? Why Not.’ was written by Liam with producers Andrew Wyatt and Greg Kurstin, and recorded in Los Angeles and at RAK Studios in London. Wyatt and Kurstin previously contributed writing and production to Liam’s all-conquering debut solo album ‘As You Were’, and Liam was keen to get even deeper with them this time. As a result, ‘Why Me? Why Not.’ is a clear upgrade on ‘As You Were’ but not a radical departure. LG promises, “It’s a better record than As You Were,” which is saying something, as that was epic, wasn’t it?” The first single ‘Shockwave’ (out now) erupts into life with an indelible riff which channels The Who and T. Rex, before Gallagher bursts in on the unrelenting hook with his signature venomous punch. It’s the first new music from Gallagher since his chart-topping 2017 solo album debut As You Were and the first taste of what’s to come from his forthcoming second album, Why Me? Why Not.
‘Cause and Effect’ is Keane’s 5th studio album. Their 4 previous albums have all entered the UK charts at number 1 and accumulated sales of over 13m worldwide and 2.6 billion streams. The birth of this new album came as something of a surprise even to the band. Singer Tom Chaplin had released two successful solo albums but missed his old sparring partner Tim Rice-Oxley. Written by Keane and produced by David Kosten and the band themselves, the album features 11 new songs recorded in London.
Mute will release M83’s Digital Shades Vol. 2 on September 20, 2019. It will be available in limited edition pink galaxy color double vinyl, CD, and digital formats. Anthony Gonzalez (M83) spoke with his brother and creative partner Yann Gonzalez about the record, saying the below:
At first there was this vivid memory of Dungeons and Dragons, this childhood sensation of living in an imaginary world set in a faraway past or a lost future. I wanted to create some music that could be part of this adventure and journey with all of its solitary knights, dreamy landscapes, strange animals, forgotten myths and old spells.
Originally, the Digital Shades project was supposed to be much more intimate – a collection of B-sides and unused tracks destined for the hardcore fan base. Digital Shades was the name chosen to dissociate it from a proper studio album, although it would be fully part of M83’s discography. Digital Shades became an excuse to give a second life to some tracks instead of letting them disappear into the void. I wanted to create a production of ambient music that could evolve throughout the years. With Vol. 2, I wanted to come back with something stronger that featured the depth of a proper studio album without the pressure of providing pop music – faraway from Hurry Up, We’re Dreaming and Junk.
The inspiration behind this record is mainly video game music. It felt so refreshing to play all of these old school games again. I wanted to be surrounded by nature and the past. I would only feed myself with older art. It’s almost as if I couldn’t stand living in the present. This is probably why it was important for me to only use analog equipment for this record. We recorded everything with vintage equipment in my studio and at Justin Meldal-Johnsen’s studio in Glendale, California during final production.
The Shelters fan a fresh flame with classic fuel on their upcoming second full-length, Jupiter Sidecar to be released on September 20 via Warner Records. Ebbing and flowing between rock ‘n’ roll roots, surf swagger, synth swells, and unassuming pop ambition, the Los Angeles-based group—Chase Simpson [vocals, guitar], Josh Jove [guitar, vocals], and Sebastian Harris [drums]— thread it all together with catchy melodic hooks and handcrafted instrumentation. This approach quietly cemented them as a fan and critical favorite following the release of their self-titled full-length, The Shelters, in 2016. Produced by none other than the late Tom Petty, the debut garnered widespread praise from the likes of W Magazine, Rolling Stone, and Paste who noted, “The band’s sound successfully marries elements of ‘70s and ‘80s rock and roll with a modern flair.” Meanwhile, the boys racked up close to 14 million total streams with the single “Rebel Heart” and toured alongside The Head and the Heart, Royal Blood, The Killers, Gary Clark Jr., Band Of Horses, BRONCHO, Tom Petty and the Heartbreakers, Mudcrutch and more, logging over hundreds of shows in two years.
Single LP on black vinyl in double gatefold jacket w/ matte coating & printed dust sleeve. Includes coupon for full download
Describing the Durham-basedHiss Golden Messengeris like trying to grasp a forgotten word: It’s always on the tip of your tongue, but hard to speak. Songwriter and bandleader M.C. Taylor’s music is at once familiar, yet impossible to categorize: Elements from the American songbook—the steady, churning acoustic guitar and mandolin, the gospel emotion, the eerie steel guitar tracings, the bobbing and weaving organ and electric piano—provide the bedrock for Taylor’s existential ruminations about parenthood, joy, hope, and loneliness—our delicate, tightrope balance of dark and light—that offer fully engaged contemporary commentary on the present. And then there’s an indescribable spirit and movement: Hiss Golden Messenger’s music grooves. There’s nothing else quite like it.
On his new album, ‘Ideal Man,’ Andrew Combs worked with producer/engineer Sam Cohen (Kevin Morby, Benjamin Booker)to achieve a more raw, direct sound. The collection was captured live in Cohen’s Brooklyn studio, with compact arrangements fueled by taut, elastic grooves. While Combs may be best known as a singer/songwriter in the classic 1970’s Laurel Canyon sense, he proves the true versatility of his work here, often setting his acoustic aside in favor of atmospheric synthesizers and distorted electric guitars. Combs worked with some of his favorite writers on the album, including Dylan LeBlanc, Jeff Trott, Joe Henry, and Kenny Childers, but the stories he tells here are deeply personal and remarkably vulnerable.
A sense of danger and violence underlies the entire record, much as it does the entire country, but it only serves to make the moments of beauty and connection here that much more poignant. Life is short and the clock is ticking. Andrew Combs doesn’t plan to waste a second.
Sinematic is an enthralling set of songs that explore the darker corridors of human nature. The 13 song collection, is his first since 2011’s How To Become Clairvoyant and themes sprang from his recent film scoring for Martin Scorsese’s organized crime pic, The Irishman and his forthcoming documentary Once Were Brothers: Robbie Robertson and The Band. The album features guest stars such as Van Morrison, Glen Hansard, and many more.
Multi-platinum artists Fitz and the Tantrums have quickly grown from independent upstarts to bonafide hitmakers. The LA-based band are set to release their much-anticipated, fourth full length “ALL THE FEELS,” featuring lead single “123456,” this fall. “ALL THE FEELS” follows the band’s 2016 release “FITZ AND THE TANTRUMS,” which spawned the group’s biggest hit to date, “HandClap.” The RIAA-certified 2x Platinum single went top 5 on both the Hot AC and Alternative Radio charts, and also enjoyed major airplay across the country at Top 40. The band has brought the infectious energy of their live shows to the small screen, with nationally televised performances of “HandClap” on ABC’s “Dancing With The Stars,” “Good Morning America,” and “Jimmy Kimmel Live!,” NBC’s “TODAY,” “Tonight Show Starring Jimmy Fallon,” “America’s Got Talent,” and Macy’s Thanksgiving Day Parade, and the syndicated “Ellen DeGeneres Show” among others.
From the cliffs of Big Sur to the North Carolina backwoods - Molly Sarlé brings open-hearted, unflinching songwriting perfect for late-night karaoke comedowns, plaintive morning walks, and conjuring the spirit world. West Coast incantations with a warm, Appalachian glow. Her debut album, Karaoke Angel, is a collection of songs by a woman who was born understanding that her ability to feel - deeply and without shame - is her greatest strength. It is the result of a free and open-hearted devotion to the search for passion, and the complete, unwavering depiction of truth. Molly’s songs observe their own kind of internal logic, always a few steps behind or ahead of where you expect them to be - occasionally funny, always uncannily real. The work on 'Karaoke Angel' began in a trailer on the Pacific coast and continued with stints in Los Angeles and Durham, NC. Recorded in a church-turned-recording studio in Woodstock, NY, a minimal but carefully assembled palette of guitar, bass, and percussion form the foundation; an orchestra of unrecognizable atmospherics bounce off the high ceilings—but Molly’s delicate, expressive voice is always at the center.
Slash Featuring Myles Kennedy and the Conspirators - Living the Dream Tour captures the band's incendiary performance on their sold-out 2019 tour, in front of a rabid crowd at London's legendary Hammersmith Apollo, roaring through a highly charged 2-hour set of tracks from all four Slash solo albums. Slash tears up Hammersmith Apollo with staggering solos while dropping giant slabs of riffs with casual ease, delivering the essence of rock 'n' roll in this show. 3LP set/180 Gram Vinyl. Side A 1. Intro Tape 2. The Call of the Wild 3. Halo 4. Standing in the Sun 5. Ghost 6. Back From Cali 7. My Antidote Side B 1. Serve You Right 2. Boulevard of Broken Hearts 3. Shadow Life 4. We're All Gonna Die 5. Doctor Alibi Side C 1. Lost Inside the Girl 2. Wicked Stone 3. Mind Your Manners Side D 1. Driving Rain 2. By the Sword 3. Nightrain 4. Starlight Side E 1. You're a Lie 2. World on Fire Side F 1. Avalon 2. Anastasia
20 years after the duo’s debut album 1999, a cornerstone of the French Touch movement, Philippe “Zdar”
Cerboneschi & Hubert “Boom Bass” Blanc-Francard’s 5th opus Dreems takes Cassius’ music back to its original
House Music roots, an integral part of their acclaimed DJ sets. Dreems was released on June 21, just two days
after a tragic accident at his home in Paris took Zdar’s life. He was one of the original Godfathers of the French
electronic scene. Releasing in the US on CD & LP September 20.
On his latest album, OVER THE RAINBOW, Herb Alpert began the same way he has done for all of his albums over the years: searching for great melodies. That search has resulted in the prolific trumpeter’s latest offering, a collection of 11 classics and 1 brand new, original track. That original song, “Skinny Dip”, opens the album with a quirky, fun vibe before things move on to recognizable tunes from the great American songbook, which are included for various reasons close to Herb’s heart. He felt the danger in the tightrope walk of recording his own version of the iconic “Over The Rainbow”, which was cemented within pop culture by Judy Garland's performance and many other fantastic recordings. And whether it’s a tribute to Gypsy jazz guitarist Django Reinhardt on “All Love”, Bill Withers on “Ain’t No Sunshine”, or the great Louis Armstrong on “What A Wonderful World”, there is always a deeper connection and meaning for Herb on every cover selected for this album, making it one of the most personal projects he has ever worked on. OVER THE RAINBOW will be available everywhere on September 20 from Herb Alpert Presents.
Michael Schenker is a legendary figure in rock, one of the most gifted and influential guitarists of all time. His work with Scorpions, UFO and the Michael Schenker Group made him a hero to millions of fans and inspired a generation of musicians, including Steve Harris of Iron Maiden, Kirk Hammett of Metallica, and Slash of Guns N’ Roses. And with Michael Schenker Fest, an ambitious and unorthodox project featuring four singers with whom he has worked since 1979 – Gary Barden, Graham Bonnet, Robin McAuley and Doogie White – the drive to create new music is based on the same ethos that has shaped Schenker’s whole career, ever since he recorded his first album “Lonesome Crow” with the Scorpions in 1970 at age 15.
It's impossible not to hear freedom and excitement coursing through the veins of Marco Benevento's seventh studio album, Let It Slide. Produced by Leon Michels (The Arcs, Lee Fields), the record introduces a gritty, soulful edge to Benevento's brand of high-octane keyboard wizardry an uptempo, uplifting sound he playfully describes as hot dance piano rock. For all Benevento's virtuosity on the keys though, the songs here are driven primarily by intoxicating grooves, with spare drums and minimalist bass lines underpinning infectious, intentionally lo-fi vocal hooks. The resulting vibe is a timeless one, filtering elements of vintage R&B and soul through modern indie rock and pop sensibilities and peppering it with the kind of adventurous improvisation that Benevento's come to be celebrated for worldwide. Acceptance is a recurring theme on the record, and Benevento's songs often find themselves recognizing that contentment can come only once you've freed yourself from the chains of desire and regret. Upon close listen, one can find Benevento's own personal philosophies subconsciously bubbling up throughout the songs. You ll feel better, I ll just say / When you finally let it go, he sings on the funky Say It s All The Same, which features vocal contributions from bandmate Karina Rykman. The hazy Solid Gold celebrates the simple joy of being in the moment with someone you love, while the Lennon-esque Lorraine (co-written with Simone Felice) grapples with loss and change, and the anthemic Send It On A Rocket contemplates loneliness and connection. Dubbed one of the most talented keys players of our time by CBS Radio, Benevento's released critically acclaimed solo albums over the last decade, performed everywhere from Carnegie Hall and Newport Jazz to Lollapalooza and Bonnaroo, and worked in the studio and on the road with the likes of Richard Swift (The Shins, The Arcs), Jon Brion (Spoon, Aimee Mann), A.C. Newman (The New Pornographers), and Simone Felice (The Felice Brothers, The Lumineers) among others. Its safe to say that no one sees the keyboard quite like Marco Benevento's genre-blind mashup of indie rock, jazz and skewed improvisation, the LA Times raved, while NPR said he combines the thrust of rock, the questing of jazz and the experimental ecstasy of jam, and Rolling Stone praised the textures and colors available in his keyboards and arsenal of manipulated pedals and effects, along with his deceptively rich, catchy melodies and straight-ahead grooves.
Ekhodom is a side project from Eric Hilton of electronic duo Thievery Corporation and DJ/producer Gianmaria Conti - who was featured on Thievery Corporation’s album, Radio Retaliation. This 2LP is standard weight, black vinyl and includes a download card and CD.
Darrin Bradbury writes about the way things really are in America – a singular perspective shaped by a natural gift for storytelling and a sly sense of humor. A self-described folk satirist who has toured the country for more than a decade, Bradbury collects his oddball observations in his newest album, Talking Dogs & Atom Bombs. Bradbury grew up in New Jersey with an early interest in performing, partly because of his mother’s career as a circus clown. At the age of 7, he felt certain that he would either become a songwriter or a cartoonist. He learned to play guitar as a vessel to tell his stories. By the age of 18, he’d discovered Bob Dylan, Jack Kerouac, and Paul Simon, and decided to hit the road. At 25, he moved to Nashville, to try making it as a songwriter. For three months, he slept in his car in a Walmart parking lot, and developed a local following by playing open mic nights. With a handful of self-funded EPs and albums, Bradbury steadily cultivated a national audience by touring constantly. Talking Dogs & Atom Bombs is Bradbury’s first release for ANTI- Records. - Album Produced by Kenneth Pattengale of The Milk Carton Kids - Featured players on this album include a “who’s who” of Nashville players including Margo Price (featured vocal on “The Trouble With Time” ) , Kenneth Pattengale (vocals, mellotron), Jeremy Ivey (bass, piano), Alex Munoz (guitar, lap steel, vocals) and Dillion Napier (drums).
I just wanted to be honest about everything, from my musical influences to my story," muses Neal Francis. After years of dishonest living-consumed by drugs, alcohol, and addiction-such sincerity is jarring from the 30-year-old Chicago-based musician. Liberated from a self-destructive past and born anew in sobriety, Francis has captured an inspired collection of songs steeped in New Orleans rhythms, Chicago blues, and early 70s rock n' roll. There is a deep connection between Francis's childhood-his obsession with boogie woogie piano, his father's gift of a dusty Dr. John LP-and the songs he's created. The result is an astonishing collection of material without parallel in the contemporary funk and soul scene. The influences are unmistakable: the vocal stylings of Allen Toussaint and Leon Russell; the second line rhythms of The Meters and Dr. John; the barroom rock 'n' roll of The Rolling Stones; the gospel soul of Billy Preston; the roots music of The Band. Francis pays tribute to the masters but has his own story to tell: "It's the life I've lived so far.
Kill or Be Kind is Samantha Fish’s fifth studio album, but her debut release with a firm independent label and major distribution outlet. Selling out approximately 90% of her shows (stateside and internationally) her highly engaged live audience translates online as well. Month-to-month, her Facebook page likes increase by over 50% and her official Facebook Group boasts 70k members. Kill or Be Kind is poised to break her out of the blues market as it sonically caters to both rock and Americana fans, and expand her demographic out to a younger, female audience.
On his first new album in seven years, GRAMMY Award-winning conguero Poncho Sanchez celebrates the life and music of the iconic saxophonist John Coltrane. Due out September 20, 2019 via Concord Picante, Trane’s Delight is a love letter from one musical pioneer to another, as the Latin Jazz legend pays homage to one of his earliest and most indelible influences. The joyous album arrives just in time for the late tenor titan’s 93rd birthday on September 23. Trane’s Delight also continues Sanchez’s remarkable 37-year relationship with Concord, a rich legacy that has now yielded 27 albums. The album features the conguero’s longtime band, featuring trombonist and musical director Francisco Torres, trumpet and flugelhorn master Ron Blake, saxophonist Robert Hardt, pianist Andy Langham, bassists Rene Camacho and Ross Schodek, and percussionists Joey DeLeon and Giancarlo Anderson.
uknowhatimsayin¿ marks a buoyant new chapter in Danny's career, a transitional and celebratory moment. His profile has grown since Atrocity and now armed with a cable TV show and a co-sign from one of rap's icons, we will look to solidify his positioning as a ubiquitous entertainer, independent rap hero, and one of the essential cultural voices of this era, while still retaining the edgy, maverick style that makes him a fan-favorite. The album is executive produced by Q-Tip, and features production by Q-Tip, JPEGMAFIA, Flying Lotus, Paul White, Standing on the Corner and more.
Pluralone (pronounced "plural one") is the new project from multi-instrumentalist and songwriter Josh Klinghoffer. While Klinghoffer is best known for his current role as guitarist in the Red Hot Chili Peppers, he has played and recorded with a variety of acts, including PJ Harvey, Beck, and Gnarls Barkley, as well as fronting the group Dot Hacker. Pluralone's debut album, To Be One With You, is largely a solo effort on Klinghoffer's part, although it features performances by frequent collaborators such as Flea (RHCP), Jack Irons, Eric Avery (Jane's Addiction), and fellow Dot Hacker members, Eric Gardner and Clint Walsh. On the heels of a seven inch release with two foreign language covers, the new album showcases ten brand new, original tracks which will be available on LP, CD, and digital formats.
In January 2019 I found myself stuck in a Chicago hotel room during the Polar Vortex. I was performing there with my duo Radnor & Lee over a few nights when temperatures dropped, leaving me unable to do much outside my hotel room for 4 days. Chicago is a city that holds a special history for me, and I found myself spending a good chunk of time staring out my hotel window, reflecting on my first trip there in 1993 to record my debut solo album andpaw Would at Idful Studios with Brad Wood. But more than the details of that trip, I was struck by how vividly memories started flooding back to me of being a 15 year old mega fan of music, and in particular, indie rock. I LIVED for the records that I loved and the bands who made them. I'm not sure you are ever a fan of bands the way you can be as a teenager. cred. I started re-listening to some of my favorite songs from that period in that hotel room, by the Beat Happening, Pavement, Fugazi, The Breeders, Guided by Voices. It struck me as crazy that these songs and the feelings that accompanied them were now over 25 years old. It started seeming odd to me that for some reason, indie rock hasn't been canonized the same way 60s and 70s rock has. After all, Dinosaur Jr were my Led Zeppelin, Sonic Youth were my Grateful Dead and Built to Spill were my Steve Miller Band. These were my classics! I always travel with my portable studio gear, and I immediately sat down and started learning and recording a collection of my favorite songs. I spent my 4 days of the 2019 Polar Vortex creating the blueprint for what would become Century Classix. When I got home to LA, I invited my friends Julianna Barwick, William Tyler and Mary Lattimore to my home studio to add their magic to my recordings as I knew they grew up in reverence of the same records I did. These three genius musicians became th can hear framing these covers and I am eternally grateful for their talent and generosity. Later, Maria Taylor, Mike Watt, Petra Haden and Joey Waronker all showed up to play too. To some people these songs are just footnotes in pop culture history. But to me, they are the essence my own personal history. I wanted to make this record a tribute to these bands, to these songs, and to the irreversible way music can touch and transform the life of young person. I hope you enjoy Quarter Century Classix. - Ben Lee
This new fully expanded version of the classic album from 1999 brings together the original album with previously unreleased ‘Secret Psychedelic Mixes’ and a selection of remixes from the period, curated by Tom and Ed over 4 180gram vinyl LPs. There’s also a DVD containing the hugely acclaimed promos for ‘Hey Boy Hey Girl’, ‘Let Forever Be’ and ‘Out Of Control’, fully restored, and footage from the 2000 Glastonbury performance – still reckoned to be the largest-ever crowd for the Pyramid Stage. Finally, the box will also include four prints from cover artist Kate Gibb, a 24-page book with photos, memorabilia and a new essay from Jon Savage and download card.
In honor of the 50th Anniversary of the Allman Brothers debut album, New West Records is proud to present, Big Band of Brothers: A Jazz Celebration of the Allman Brothers Band. This record is a true collection of big band jazz interpretations of Allman Brothers classics. The record features guest vocals by Marc Broussard and Ruthie Foster. Big Band of Brothers also features Jack Pearson on guitar, who has performed as a guest of the Allman Brothers Band on numerous occasions, and actually joined as a member of the band in 1997. Together with Dickey Betts, he completed the band’s archetypal guitar duo for nearly 3 years. Wycliffe Gordon (of Jazz at Lincoln Center fame) is also featured as a soloist. Gordon is consistently ranked among leading trombone players in the Downbeat critics poll.
Songs For Groovy Children assembles all four historic debut concerts by Jimi Hendrix’s newly assembled Band of Gypsys at New York’s Fillmore East on New Years Eve 1969 and New Years Day 1970. Presented in their original performance sequence and encompassing 43 tracks across 5 CDs or 8 LPs, the set boasts over two dozen tracks that have either never before been released commercially. Newly mixed and restored in sequence without edits, fans can finally hear Hendrix, Cox and Miles blast through their genre-defying sets that included freshly written songs like “Earth Blues” and “Stepping Stone,” as well as supercharged Experience favorites inclusive of “Foxey Lady,” “Voodoo Child (Slight Return),” “Wild Thing,” “Hey Joe” and “Purple Haze.” The lavish package is filled with unseen photos and remembrances from bassist Billy Cox and liner notes by author/journalist/filmmaker Nelson George. Songs For Groovy Children was produced by Janie Hendrix, Eddie Kramer and John McDermott and mastered by Grammy-winning engineer Bernie Grundman.
Who better to help you celebrate that most wonderful time of the year than holiday favorites Bad Religion? Tackling eight chestnuts in their classic punk rock style. From "White Christmas" with it's nod to pioneers The Ramones, to the glorious choirboy intro to "Hark! The Herald Angels Sing," Christmas Songs is the record you need to get your holiday household's toes tapping. Limited pressing - 500 Units in the US, for the First time on Gold Vinyl
20th anniversary re-issue completely re-mastered from original master tapes. Double LP on heavyweight vinyl with pop-up gatefold. CD edition features over 25 bonus tracks including second disc of previously unreleased material. Both feature foreword by Alan McGee, sleevenotes by Ric Rawlins, and previously unseen concept art drawings by Pete Fowler.
The Legendary “Rock Band With Horns” Gets Into The Spirit Of The Holiday Season With An Album That Mixes Original Christmas Songs And Yuletide Favorites.
Produced by founding member Lee Loughnane, CHICAGO CHRISTMAS is the 37th album of the band’s career and its fourth holiday collection. Whereas its previous releases focused more on traditional Christmas songs, the new record spotlights holiday music the band wrote especially for the album, including “All Over The World,” “(Because) It’s Christmastime,” and “I’m Your Santa Claus.” The album also features R&B and ballad versions of “Merry Christmas, I Love You,” a song that Loughnane wrote with John Durrill of The Ventures, the best-selling instrumental band of all time.
Along with the new songs, the album also features the band’s interpretations of two holiday standards: “Here We Come A Caroling” and “Sleigh Ride.” It’s the second time Chicago has recorded “Sleigh Ride.” A different version appears on Chicago XXXIII: O Christmas Thee (2011). The album’s other non-original track is a soulful Chicago interpretation of the Hal David and Burt Bacharach classic, “What The World Needs Now Is Love,” which founding member Robert Lamm thought had a timely message for the holidays.
"Colorado" is the first new Neil Young with Crazy Horse album since 2012's "Psychedelic Pill". The album will be released on October 25th and features 10 new Neil Young compositions. It includes several songs that Neil has been playing live in the past few months (eg: "Rainbow of Colors", "Green Is Blue" and "Milky Way"), and the epic 13+ minute track "She Showed Me Love".
The vinyl version of the album comes with a bonus 7" single, featuring an album outtake "Truth Kills". The 7” also includes a live, solo version of "Rainbow of Colors" from Portland, OR, on May 17, 2019 - the first time Neil ever performed this song live.
This incarnation of Crazy Horse is Neil Young on vocals, guitar, piano, harmonica and vibes, Billy Talbot on bass, Ralph Molina on drums and features the return of Nils Lofgren on guitar and piano, almost 50 years since he last appeared on a Crazy Horse album (1971).
The album is produced by Neil Young and John Hanlon and was recorded in Colorado in April & May 2019.
After 30 million albums sold, 13 No. 1 jazz albums in the United States, and a film, television and music career spanning three decades, Harry Connick, Jr. returns with a new sound, new label home and new record, True Love: A Celebration of Cole Porter.
Focused exclusively on the songs of Cole Porter and his Great American Songbook, the sensational recording demonstrates Connick’s multitude of talents as pianist, singer, arranger, orchestrator and conductor, breathing new life into popular tunes including “Just One of Those Things,” “Anything Goes” and “You Do Something To Me.”
‘Western Stars – Songs From The Film’ is the companion album to the Warner Bros. feature film, ‘Western Stars.’ The collectionfeatures each of the live performances captured in Bruce Springsteen’s directorial debut ‘Western Stars.’ The soundtrack includes every song from Springsteen’s most recent and critically-acclaimed studio album of the same name, as well as a cover of Glen Campbell’s “Rhinestone Cowboy.” Pulling the audio from the film co-directed by Bruce Springsteen and longtime collaborator Thom Zimny, ‘Western Stars – Songs From The Film’ is backed by a full band and orchestra, recorded live at Stone Hill Farm in Colts Neck, NJ.
'Tombstone Every Mile' was Bill Kirchen's first solo album, but it has been unavailable for many years. Originally released in 1993 it featured him in his Washington DC based trio. Fellow DC area guitar man Danny Gatton was to produce the disc, but by the third day of recording he still hadn't shown up, so Bill ended up self-producing with engineer Ed Eastridge. Bass man Jeff Sarli had already played with artists on the Black Top label out of New Orleans, Robert Ward for one, so Bill pitched it there and they agreed to release it in USA. Kirchen then approached Jake Riviera at Demon, who he knew from making the Moonlighters disc with Nick Lowe, and they released it in Europe. The album reflects what they were doing working the Honky-Tonks in DC and points beyond. Kirchen hadn't been writing much material post-Commander Cody, and was perfectly happy singing Dick Curless, Bob Wills and Buck Owens etc all night. So, he called on song writing friends like Blackie Farrell, Nick Lowe and Austin de Lone, who came through with some ideal material for the album, inspiring Bill to manage a couple of serviceable originals which remain in the repertoire to this day. The 2019 edition is available on CD 12"" vinyl LP and digital formats.
2 Black LPs, 150 Gram, Double Gatefold Jacket, Printed Insert, 11”X 17” of Hollywood Map Poster folded
Personally curated by Quentin Tarantino himself, the Once Upon a Time in Hollywood Original Motion Picture Soundtrack is a love letter to the music of 1960s-era Hollywood. Featuring over 20 standout tracks from artists such as Paul Revere & The Raiders, Deep Purple and Neil Diamond, the album creates a true time capsule of a golden era of filmmaking.
In 1997, Josh Homme (Queens of the Stone Age) and a handful of friends retreated to the desert of Joshua Tree, CA in order to isolate themselves from the distractions and comforts of their everyday lives. What began as a casual writing and recording session amongst friends has since become a project of legend. Spanning twelve volumes over the course of two decades, Desert Sessions has featured some of music’s most cherished icons stepping out of their comfort zones and collaborating with one another to create some of the most exciting music of their careers.
After nearly sixteen years since its last entry, the longest-running mix tape in existence, Desert Sessions will return this October with two stunning new volumes in its already storied catalog, Vols. 11 & 12, featuring collaborations from Billy Gibbons (ZZ Top), Les Claypool (Primus), Stella Mozgawa (Warpaint), Jake Shears (Scissor Sisters), Mike Kerr (Royal Blood), Carla Azar (Autolux, Jack White), Matt Sweeney (Chavez), David Catching (Co-founder of Rancho De La Luna studio), comedian Matt Berry (What We Do in the Shadows), Töôrnst Hülpft and new comer Libby Grace.
Limited Edition Vinyl packaging includes a one of a kind custom mix & match, body swap booklet!
Multi-GRAMMY nominated and multi-platinum British singer/songwriter James Blunt will release his sixth studio album Once Upon A Mind on October 25th featuring the new single “Cold”. After flirting with electronica on his last album, Blunt returns to what he does best on Once Upon A Mind – writing classic songs that touch both the heart and the head. Once Upon A Mind sees Blunt collaborating with a variety of producers resulting in a freshness that resonates throughout the eleven-song collection, with highlights including the poignant ballad “Monsters,” pop-infused “5 Miles” and the country tinged “Halfway.”
“I think this is the most honest album I have ever made” saidBlunt. “’Back To Bedlam’ was similar in that I had been writing those songs for a while about my life experiences at that time, and they came together on my debut. And every song on this album represents something that I’m currently going through or have recently experienced. It’s a very personal record, and I’m proud I can share it.”
Guided by Voices is now an unlikely candidate for the most perfect rock band of all time, while at the same time being a thoughtful reflection on what a rock band is, a fantasy that becomes a fact. Sweating The Plague, the band's 29th album and their third this year, spars playfully with stadium-sized fidelity and uncharacteristically impactful arrangements. Producer Travis Harrison's counterintuitive approach to Guided by Voices' historically lo-fi sound is that he doesn't want it to sound homemade, while the grinding tectonic plate guitars of Doug Gillard and Bobby Bare Jr. Anchor the album. Play it loud! Being a fan of Guided by Voices can feel like standing in a ticker-tape parade and reaching out to grab at stray releases as the endless flurry of output from the Needmore Songs publishing house billows around-but here's twelve compatible nuggets of Pollard content in one handy package, all boxed up and ready to go.
Formed in 2003, Editors became one of the leading bands in the post-punk revival that swept England and America in the early 2000's. Following their 2005 debut, The Back Room, they went on to top the U.K. charts, releasing five more studio albums, including 2018's Violence. Black Gold - Best of Editors culls favorites from across their entire catalog and includes three all new songs: ''Frankenstein'', ''Black Gold'' and ''Upside Down.''This collection is a must-have for fans and the perfect introduction for new listeners.
2nd installment Loverboy is an exemplary release of Ariel’s work recorded between October 2001 and July 2002, at which time Ariel also recorded House Arrest in an expanded reissue transferred and remastered from the original master cassette tapes.
Odditties Sodomies Vol. 2 is the long awaited second volume of uncollected music by Ariel Pink, compiled from non-album tracks, outtakes and rarities spanning 1999 - 2018. The collection includes unheard music from Ariel’s historic run of releases as Ariel Pink’s Haunted Graffiti as well as recent recordings made over the last decade. This selection presents a non-chronological cross section of both sides of Ariel’s evolution in the studio, from early home-recordings (“Driving to the Grave”) to an expanded palette afforded by a proper studio (“Bolivian Soldier”). Odditties Vol. 2 gathers the overspill from Ariel’s series of Haunted Graffiti albums and follows similar odds and ends to present day. Contributions include tracks co-written with John Maus (“The Law”) and with Patrik Berger, Mac Demarco, and Charlotte Ercoli Coe (“Party Zone World”). In addition there is a cover by The Smiths (“This Night Has Opened My Eyes”) and a quartet of recent songs recorded in between July 2017 - December 2018 (“Bolivian Soldier”, “Stray Here With You”, “House of Yesterday” and “You Can Have It All”).
The debut installment of Ariel Archives begins with an expanded version of Underground, Ariel Pink’s first release under the name Ariel Pink’s Haunted Graffiti. This installment of Ariel Archives expands the track-listing of the original Underground release to include twelve additional songs recorded in the same period. Unheard songs such as “Michelle” and “Let’s Stay in the Past” fill in beautiful missing details from Ariel’s earliest recordings, while familiar classics such as “My Molly” are collected for the first time on a full-length release.
Cigarettes After Sex return with their anticipated sophomore album - Cry via Partisan Records. Recorded during night time sessions in a mansion on the Spanish island of Mallorca, the album is a lush, cinematic meditation on the many complex facets of love - meeting, wanting, needing, losing...sometimes all at once. The album was self-produced and engineered by Greg Gonzalez, and mixed by Craig Silvey (Arcade Fire, Yeah Yeah Yeahs).
Gary Allan will release the 20th Anniversary of his Top 10 Platinum album- Smoke Rings in The Dark on October 25th. The album included three Top 40 Country hits including Gary's first Top 5 hit-'Right Where I Need To Be'. The album will also include the never before released track- 'Long Year'. The vinyl will have 13 tracks including the 12 original tracks plus 1 bonus track. This the first time that it will be released on vinyl. Smoke Rings In The Dark album made fuller use of background singers and stringed instruments, which resulted in a lusher, fuller sound than his other albums.
Timeless talent shines under any spotlight. It transcends the stage, screen, and the studio, resounding prominently in every setting. Anthony Ramos is a timeless talent. Born and raised in Bushwick, NY and of Puerto Rican descent, Ramos rose from humble beginnings to staring in the original cast of the TONY® and GRAMMY® Award-winning Broadway phenomenon Hamilton and opposite Lady Gaga and Bradley Cooper in the Academy® Award-winning movie A Star Is Born.
Process Black are a brutal sonic venture by members of Kiss it Goodbye, Ramprasad, Deadguy, No Escape, Lumbar, Bible Black Tyrant, Cascabel, COTCM, and Craft Spells. The band began in 2015 gaining attention through an incredible demo that blended noise-rock viciousness with hardcore/punk intensity. Bringing to mind the influential music the creators made in previous bands while continuing to evolve in sound and character. “Countdown Failure” is their masterful three song EP recorded by engineers Derek Moree (drums) and Joe Boldizar (vocals). Member Aaron Edge tracked guitars and mixed the material at Alphabaphomet in Portland, OR. Brad Boatright (Converge, Nails, etc) later mastered the release at Audiosiege
Formed by Todd Rundgren in 1973, Utopia was initially known as Todd Rundgren’s Utopia, a progressive rock band consisting of Rudgren, Kasim Sulton, Roger Powell and John Wilcox. This is a collection of the band’s Bearsville singles. Presented on 2LP, 140g black vinyl.