Miles Davis- Miles In The Sky (MoFi Numbered 45rpm 2LP)
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Miles Davis- Miles In The Sky (MoFi Numbered 45rpm 2LP)
Darkside Records
611 Dutchess Turnpike
Poughkeepsie NY 12603
United States
Darkside Records On-Site Warehouse
611 Dutchess Turnpike
Poughkeepsie NY 12603
United States
In order to ship your records to you in the safest way possible, and to avoid seam splits, we recommend removing the record from the jacket when shipping. That said, we will never open sealed records and do this without your permission. If you would like your records shipped to you this way, please add the option featured below to your cart.
We will place your jacket and record inside a FREE protective poly.
1968 Record Marks First Time Davis Uses Electric Piano, Bass, and Guitar: Second Half is Acoustic
Mastered from the Original Master Tapes: Seminal Proto-Fusion Effort Explodes With Color and Vibrancy
Final Effort With Davis' Classic Second Quintet Finds the Leader Looking to the Past and the Future
1/4" / 15 IPS analog master to DSD 256 to analog console to lathe
Miles in the Sky reflects the intriguing curiosities and rainbow possibilities suggested by the album cover. Miles Davis' fifth and final album with his classic second quintet is kaleidoscopic in sound, forward-looking in structure, and contextually grounded in approach. As the legendary leader's first venture into what would become fusion, it's historical for containing the premier appearances of electric piano, bass, and guitar on a Davis effort. Laden with rich textures and style-bridging elements, Mobile Fidelity's 45RPM pressing brings the aural magic into focus.
Mastered from the original master tapes and pressed on 180g vinyl at RTI, this collectible audiophile version of Miles in the Sky joins other essential Davis sets given supreme sonic and packaging treatment by Mobile Fidelity. Afforded the benefits provided by the record's wider grooves, Davis' burnished trumpet resounds with utmost clarity, and the soundstage seems to extend for days. Reference-caliber separation and imaging give each musician their own space, allowing every passage to come across without any sonic limitations.
The album's wide-open soundscapes soar. As do the fluid contributions of Davis' mates. Tony Williams' percussion, central to every composition here, transpires before your eyes. Herbie Hancock's piano hovers and fades with sublime purity. And George Benson, who sits on "Paraphernalia," blows the equivalent of smoke rings with his bluesy guitar, which here takes on brilliant tonality and definition. The acoustic material that occupies the second half of the record is equally transparent and full-bodied.
Granted enhanced production and a greater field of audible information, Miles in the Sky can finally be perceived as belonging to the same upper echelon as Davis' ubiquitously acclaimed Nefertiti and Filles de Kilimanjaro--the albums that precede and follow, respectively, this watershed title. Commonly branded a "transitional" work, Miles in the Sky showcases Davis already at ease with electric instruments and eager to venture into uncharted territories. Doubling as organized jams and bridges between jazz and rock, both the rhythmically challenging "Stuff" and frisky "Paraphernalia" glancing toward the future while keeping solid footing in the past.
Similarly, so do "Country Boy" and "Black Comedy." In his original review for jazz authority DownBeat, Larry Kart observes: "Davis takes material from his earlier days and darkens its emotional tone. His opening phrase on ‘Country Boy' recalls a fragment from his "Summertime" solo on the Porgy and Bess album, but here it is delivered with a vehemence that rejects the poignancy of the earlier performance. Even on ‘Black Comedy,' his most straightahead solo here, the orderly pattern of the past is displaced and fragmented."
Flavored with humor, bossa nova, country, and even ballroom phrases, the compositions on Miles in the Sky explode with creativity, purpose, and color. What a record.
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Shipping Recommendations
In order to ship your records to you in the safest way possible, and to avoid seam splits, we recommend removing the record from the jacket when shipping. That said, we will never open sealed records and do this without your permission. If you would like your records shipped to you this way, please add this option to your cart at checkout.
Unfortunately we can not offer refunds or replacements based for items that have been seam split in the shipping process. The best way to defend against this happening is to allow us to open your record ahead of time and place it inside of a free protective poly sleeve.
Want to see how we ship? Look for a video below!
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Open My Records To Avoid Seam Splitting During Shipping
In order to ship your records to you in the safest way possible, and to avoid seam splits, we recommend removing the record from the jacket when shipping. That said, we will never open sealed records and do this without your permission. If you would like your records shipped to you this way, please add this product to your cart.
We will place your jacket and record inside a FREE protective poly.
How We Ship
We take great pride in our packaging and have spent years honing it so that it is not only 100% recyclable materials, but also protects your records from the woes of being tossed from truck to truck during the shipping process.